A Quote by Greg Egan

I've supported myself by writing since 1992, and I'm probably very nearly unemployable by now because employers are likely to be put off by the long gap. — © Greg Egan
I've supported myself by writing since 1992, and I'm probably very nearly unemployable by now because employers are likely to be put off by the long gap.
I've had a lot of bosses that I didn't agree with, but the worst boss was very much me myself. So, I can't let myself slack off, and if I do slacking off, I'm the one that's yelling at myself. I've worked with a lot of different employers, and none of them have been as aggressive as I have been.
I actually was doing ghostwriting jobs since I was 17 years old, so I've been supporting myself off and on with writing jobs for almost 10 years. But those were all things that I did off the books. And now I do a lot more writing on the books.
If you didn't have employers able to pay off the books and off the record safely in cash, you wouldn't have illegal immigration on nearly the scale that we do.
The play is one of the very few pieces of great dramatic and comic writing that I have read in a long, long time. I was drawn to it because of the power of the writing, which gives me the actor a chance to explore many facets of myself.
You know that gap between where you are and where you'd like to be? Within that gap, there is an ache and an aspirational leap, which is very good for writing.
I put off writing the first Left Behind book for a year because I got invited to assist Billy Graham in his memoirs, and had we known what we were putting off for a year, we might not have put it off.
The gap between ideals and actualities, between dreams and achievements, the gap that can spur strong men to increased exertions, but can break the spirit of others -- this gap is the most conspicuous, continuous land mark in American history. It is conspicuous and continuous not because Americans achieve little, but because they dream grandly. The gap is a standing reproach to Americans; but it marks them off as a special and singularly admirable community among the world's peoples.
I've been writing short stories for twenty years now, on and off ever since I was in the creative writing program at San Francisco State University.
It is my second visit to Korea since the International Junior Athletic Championships in 1992. Both then and now, I felt Korea is an interesting country and the people are very kind.
The writing of the record didn't take long, because I just have a huge stack of papers and I just pluck from the stack. It took a long time because it's very expensive to make records; in fact, I think it's a complete rip-off.
I was told that I had very likely been clinically depressed for a long, long time, probably since I was 15, or even 14. It explained, to me at least, a lot of my behaviour over the years.
Yesterday I went home with him and we did the usual things. I haven't the nerve to put them down, but I'd like to, because now when I'm writing it's already tomorrow and I'm afraid of getting to the end of yesterday. As long as I go on writing, yesterday is today and we are still together
It's insane to be a writer and not be a reader. When I'm writing I'm more likely to be reading four or five books at once, just in bits and pieces rather than subjecting myself to a really brilliant book and thinking, "Well what's the point of me writing anything?" I'm more likely to read a book through when I take a break from writing.
It definitely takes a long time, because Umbrella Academy' scenes are very interesting from a writing point of view with all these very off-the-cuff, oddball characters who are all different from each other.
'Writing' always means 'not writing' to me because I will do anything to put it off. I think this is mainly because writing anything down and then handing it over to a third party - especially in comedy - is such an exposing act that you naturally want to delay the process.
Because I work quite slowly, I have to keep myself interested over a long research and writing period. So I can't see myself writing about modern middle-class Londoners anytime soon.
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