A Quote by Greg Ginn
There's not much music I'll listen to if it doesn't have pretty heavy swing. Rhythm is so important. Punk rock would have more power and feeling if it had swing.
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Swing your swing. Not some idea of a swing. Not a swing you saw on TV. Not that swing you wish you had. No, swing your swing. Capable of greatness. Prized only by you. Perfect in it's imperfection. Swing your swing. I know, I did.
I feel like there are a lot of positives in my swing. I'm really going to work around the rhythm of my swing, being able to keep my rhythm and being more consistent. Consistency is what I'm looking for, performance-wise.
'Swing' is an adjective or a verb, not a noun. All jazz musicians should swing. There is no such thing as a 'swing band' in music.
Rock ’n roll is really swing with a modern name. It began on the levees and plantations, took in folk songs, and features blues and rhythm. It's the rhythm that gets to the kids – they're starved of music they can dance to, after all those years of crooners.
I had a baseball swing my whole life. When I was growing up, everyone had a different, very specific softball swing that was very short. And I had a big stride and I had, you know, a baseball swing, and people did not like it.
I was addicted to rhythm 'n' blues pretty much directly into folk music. I had my little 45s of mostly black artists. That was as close as I got. I've never listened to heavy rock or stuff that jangles my nerves, because I'm already jangled.
'Golf Digest' had all the old school swings, and my favorite swing, ever, was Nick Faldo's swing. And it had all the greats, Ernie Els and Nick Faldo and all that stuff, and I had the pictures of their swing sequences on my wall.
I'm not afraid to swing the bat. If they elect to pitch to me, I'm going to swing. I'm not as picky as Mr. Sheffield. I'll swing at something over my head.
How to hit home runs: I swing as hard as I can, and I try to swing right through the ball... The harder you grip the bat, the more you can swing it through the ball, and the farther the ball will go. I swing big, with everything I've got. I hit big or I miss big. I like to live as big as I can.
The music industry went through such a strange stretch in 1977, especially in this country, with the whole punk rock thing coming about. Punk was rebellious-and justified in that response-but it had very little to do with music, and so it created a highly-charged but frighteningly floundering atmosphere that I found very, very disheartening. Musical quality for me has always been an important part of rock'n'roll-and winning recognition for that has long been an uphill battle all the way. Punk seemed like rock'n'roll utterly without the music.
My whole career, my swing has always been the most important thing to me. Even when I'm taking a shower, I work on my swing.
When Tiger was 6 months old, he would sit in our garage, watching me hit balls into a net. He had been assimilating his golf swing. When he got out of the high chair, he had a golf swing.
When it comes to hitting solid drives, the secret is to swing within yourself. I know that sounds like a cliche, but it's true. If you swing at 100 miles per hour and hit it on the toe, you won't hit the ball as far as you would with an 80-mph swing that catches the ball in the center of the clubface.
The toughest thing in hitting shouldn't be deciding when to swing. It is, for me, deciding when not to swing. You should be swinging from the time you get into the batter's box until something says don't swing.
I don't think too much about mechanics. I just like to go up there and swing. It's more than my swing, though. It's my mindset. I always go to home plate with a plan.
The focus of my playing is the groove, and every time I find a new rhythm, I find I can write a bunch of new songs. Learning how to dance, or drum, or to swing my body in a new way is the fundamental way I find a new riff. Because when you learn to swing your body in a new way, you begin to swing with your instrument differently.
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