A Quote by Greg Ginn

As a label, you have to treat every group and every record as a unique entity. I think that that has been our success, rather than relying upon a fan base. — © Greg Ginn
As a label, you have to treat every group and every record as a unique entity. I think that that has been our success, rather than relying upon a fan base.
I've been fortunate, I've been blessed, and I attribute my success to all my fans. People want to do things with you when you have a big fan base, and I have a great fan base.
You got to treat Mobb Deep different because our fan base is different. Our fan base is in the 'hood across the world.
Traditionally, WWE used to shy away from that Internet kind of fan base. But I think increasingly, in life in general and every aspect of entertainment, social media, the Internet fan base is now massive.
Commercial success still hasn't come to an artist that isn't signed to a record label. There are very few artists that can succeed without the help of a record label. The role of the record label is still required, it's still necessary.
The love and pride that I feel from my Indian fan base make every new performance in India unique and special.
I think every person is so unique. I think every woman is so unique, every man is so unique, every artist is so unique.
We have a very loyal fan base, the kind tat buys the record the day it comes out, sees every show, and that's fantastic, but what about the people who would never hear about our band?
With a Grammy, if you're releasing your record with a major label, you have a chance with any record. You also have a very long shot with every record.
Every night I try to look at the audience and treat every audience differently. It's almost like it's a single entity or a person. I always try to treat it like a conversation and allow it to happen naturally in the same way that you would engage in conversation.
Every project might only sell like 30 to 50,000, but I mean, I'm getting seven, eight dollars every CD. I make more money per record than an artist on a major label - I can definitely say that.
There couldn't possibly be a more label-driven industry than acting, seeing as every audition comes with a character breakdown: 'Beautiful, sassy, Latina, 20s'; 'African American, urban, pretty, early 30s'; 'Caucasian, blonde, modern girl next door'. Every role has a label; every casting is for something specific.
In theory, when you're working with a record label, you're just borrowing their money. And that's basically how the record industry works, right? It's like, you borrow $100,000 from a record label, so you don't make any money until you make back that money for them. In theory, they have you held hostage, so you've got to do every little stupid thing that they want you to do.
Every record has been destroyed or falsified, every book has been rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered. And that process is continuing day be day and minute by minute. History has stopped. Nothing exists except the endless present in which the party is always right.
I know a lot of people who jumped into a record label right away, dropped an album, and then nothing happened for them. Build your fan base first, and follow your gut.
But I'm after medals more than anything. Championships don't get taken away from you but records do, so I think I'd rather have medals at every championships rather than times. A world record would be a bonus, but I'm still only 25 in 17 days.
I'm the ayatollah of the Jane Austen fan base! I want to lead the fan base, not be attacked and devoured by the fan base.
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