A Quote by Greg Ginn
We aren't as concerned about the live aspect as other labels. The best live bands are the easiest to record.
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Guy Picciotto had a really sound point: Live albums basically have bands playing songs that are available on studio records, and what example can you think of where the live album is better? What are the great live albums? I have live albums of bands, but I wouldn't listen to them for the most part. So we thought, instead of spending energy trying to puzzle out how to create a live record, let's just write another studio record.
I don't understand people who just live to exist, live to be OK. Live to be regular, live to be average. It doesn't make any sense to me. I live to be the best. I don't live to be good. You only get one life, and I live to be great. I live to be special.
I don't get a lot of big offers. Never have in my career. For some reason, record labels don't call me, famous bands don't call me, only kids in rock bands. I don't know why, and I don't worry about it. I would worry about it if I wasn't working, if I was unemployed.
I think bands will actually make more money without record companies; a much bigger share of the money will go to the bands. You won't have record shops taking 40 percent of the money. You won't have record labels taking 40 percent of the money. So they don't have to sell as many albums as they used to in the past. So it's not necessarily a bad thing if record companies disappear.
I like going to see live bands. Live bands can be quite heavy, but I think it's very relaxing at the same time because you feel so happy and chilled-out.
Most of the people I know in bands, all they are concerned about is getting to do the next record.
As a human being, I'm concerned about the world that I live in. So, I'm concerned about peace. I'm concerned about - about man's inhumanity to man. I'm concerned about the environment.
As a human being, I'm concerned about the world that I live in.So, I'm concerned about peace.I'm concerned about man's inhumanity to man. I'm concerned about the environment.
I often explain it to people that if you listen to a Who record and then go see the Who live, it's like two different bands. That's how Humble Pie worked. We were definitely a lot more ferocious live because of the energy that the entire population of us had.
A lot of bands, they take a lot of planning to do a live record. They have to hire a crew, and they have to have a recording truck and all this equipment, and they record every single show.
When I got my record deal at Atlantic, at the time, 'indie' wasn't a style of music: it was a kind of label. And I think, eventually, the bands that ended up on those labels began to be branded as 'indie bands,' and then it became a genre.
I feel like the live record thing is something that I've been getting used to as the years go by and with this being my second one, I'm continuing to learn what works and what doesn't work. A live record is an example of that authenticity and that realness that you find in imperfection and you can hear that in this record.
You can think of a number of bands where the first record is by far their biggest record. And that must be hard for people to recapture. Hard for people to live with.
We went for the best overall feel on each song. There are no musical overdubs at all. It's a true live record; it's one of the few true live records out there.
Until men learn to celebrate and operate on the feminine aspect of themselves and stop the oppression of women, children, the environment, other species, we don't have a world to live in. It's not a world that anyone chooses to live in.
It seemed record companies wanted bands to be creative because they didn't know how to manufacture underground music. We could do our own thing and go at our own pace. But that changed when major labels started wanting bands that would sell 7 million records.
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