A Quote by Greg Ginn

I like a lot of electronica. I like older jazz rather than newer. — © Greg Ginn
I like a lot of electronica. I like older jazz rather than newer.

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I actually like older horror movies more than newer ones because when I'm watching newer ones, like Chucky or Saw or whatever, I'm like come on, really, this isn't even good, all it is is blood and knives. I like when it has a story line, you know? When it's actually a movie.
I actually like older horror movies more than newer ones because when I'm watching newer ones, like 'Chucky' or 'Saw' or whatever, I'm like, 'Come on, really, this isn't even good, all it is is blood and knives.' I like when it has a story line, you know? When it's actually a movie.
Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
Jazz is more raw than punk in a lot of ways. It's so expressive. A lot of people say to me, especially older people, 'It took me ages to get into jazz.'
I got to know Elton John's older music by learning to like his newer stuff. 'The Lion King?' That's what I like.
I am a bit of a granny, I feel older than my years. I like to read rather than go to parties but at the same time my band and I have a lot of fun on tour and can be big kids.
My first love of jazz came from joining the Chilliwack Middle School band - it was like an 18-piece jazz band, and I wanted to join just because the older kids looked like they were having so much fun.
I'd much prefer to hear somebody like Ed Thigpen [drummer with New York session group Stuff, and featured on innumerable hits] take a solo. I mean, that's what it is. I'd much rather hear that than the jazz/rock thing because it's blowing an aspect of jazz that I really like...the level where you can snap your fingers to it and you can groove to it. You can do anything to it.
I understand that actors lose their looks, they change over time, but people don't lose their talent. I think that, as people get older and the people who make the decisions get older, they don't like hiring people much older than them because it reminds them of their fathers, and they don't like telling people older than them what to do. It makes them uncomfortable. I think that happens a lot.
I love jazz. So to me, there are two main types of jazz. There's dancing jazz, and then there's listening jazz. Listening jazz is like Thelonius Monk or John Coltrane, where it's a listening experience. So that's what I like; I like to make stuff that you listen to. It's not really meant to get you up; it's meant to get your mind focused. That's why you sit and listen to jazz. You dance to big band or whatever, but for the most part, you sit and listen to jazz. I think it comes from that aesthetic, trying to take that jazz listening experience and put it on hip-hop.
Like I said, I'm just grateful when anyone offers me a job. It's like, "Okay. I'll do it." FBI agent is one, too, when you get older. When you're kind of an older lady hard-ass, FBI tends to happen. It's just because I'd like to work rather than not work, so I'm just happy if somebody wants me to do anything.
I read some older books when I worked at Barnes And Noble, like some of the American classics. I read a lot of Hemingway. I fell in love with Hemingway's prose and with the way he wrote. I feel like he's talking to me, like we're in a bar and he's not trying to jazz it up and sound smart, he's just being him.
They think that I am a lot younger than I am. Everyone who meets me is always like, “Oh, are you the youngest sister?” “No, I'm older than Hilary.” I think it's just because I have never really played older than myself or even my own age yet.
Jazz shouldn't have any mandates. Jazz is not supposed to be something that's required to sound like jazz. For me, the word 'jazz' means, 'I dare you.'
A lot of jazz artists think people should like what they're doing just because it's jazz. I don't buy that.
I always leaned toward free jazz... experimental jazz and progressive jazz. I feel like jazz is just part of the flavor and palette that you have as a musician to experiment with.
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