A Quote by Greg Graffin
In the 1970s, we had Carl Sagan, and he was so suave with his turtleneck and his tweed jacket. And he was, you know, he made science look cool. And in punk rock, we haven't had that. We haven't had the Carl Sagan of punk.
Related Quotes
My mom was a high school science teacher for decades. She just never made it feel like we had to choose between the arts and the sciences. We had bookshelves full of novels, and she also had Rachel Carson and Aldo Leopold and Carl Sagan.
When I was in my teens, Yehudi Menuhin, who was at work on his project 'The Music of Man,' introduced me to the great astronomer Carl Sagan. It was Sagan who first opened my eyes to the magnitude of the universe, and essentially to the notion of 'music of the spheres.'
By my reckoning, I'm about 100 kilometers from Pathfinder. Technically it's called “Carl Sagan Memorial Station.” But with all due respect to Carl, I can call it whatever the hell I want. I'm the King of Mars.
I was at Plaza Athénée, where a jacket and tie was required. Andy Warhol came with his turtleneck, because he was always wearing a turtleneck, with a tie over it, and we gave him a jacket - so he had a jacket and tie over the turtleneck. It was pretty cool.
The 1970s was probably the most exciting decade to be a teenager, from discovering Little Richard at the end of the 1960s to glam rock to punk rock to electro music. So much happened in that 10-year span. There were so many musical revolutions. Some were happening at the same time. You had disco going on behind punk. You had Michael Jackson. You had the Sex Pistols.
The past history of human belief is a cautionary tale. We have killed thousands of our fellow human beings because we believed they had signed a contract with the devil, and had become witches. We still kill more than a thousand people each year for witchcraft. In my view, there is only one hope for humankind to emerge from what Carl Sagan called "the demon-haunted world" of our past. That hope is science.
I want Carl Sagan to explain the sky to me.
Carl Furillo was pure ballplayer. In his prime he stood six feet tall and weighed 190 pounds and there was a fluidity to his frame you seldom see, among such sinews. His black hair was thick, and tightly curled. His face was strong and smooth. He had the look of a young indomitable centurion ... I cannot imagine Carl Furillo in his prime as anything other than a ballplayer. Right field in Brooklyn was his destiny.
Carl Sagan spoke fluently between biology and geology and astrophysics and physics. If you move fluently across those boundaries, you realize that science is everywhere; science is not something you can step around or sweep under the rug.
If you look up at the Milky Way through the eyes of Carl Sagan, you get a feeling in your chest of something greater than yourself. And it is. But it's not supernatural.
Carl Sagan's 'Pale Blue Dot' is where I got the title 'Momentary Masters.'
I remember that one time Carl Sagan was giving a talk, and he spelled out, in a kind of withering succession, these great theories of demotion that science has dealt us, all of the ways in which science is telling us we are not who we would like to believe we are. At the end of it, a young man came up to him and he said: "What do you give us in return? Now that you've taken everything from us? What meaning is left, if everything that I've been taught since I was a child turns out to be untrue?" Carl looked at him and said, Do something meaningful.
It turns out one of my dad's best friends was Carl Sagan when I was little. They were both Harvard professors.
The disturbing truth about science communication is that we have theories and ways of delivering messages that really are like putting a candle to the dark, as Carl Sagan would say. We aren't sure what will work, when, or how much. But for all that uncertainty, that doesn't mean we shouldn't try.
Carl Sagan always used to say that when he was trying to explain something to someone, he would go back to that time when he didn't understand it, and then he would retrace his thought steps so that he could make it absolutely clear, and that's one of the infinite number of things I learned from him.
I usually like to interact with people who don't speak until it's necessary but I was intimidated by Carl's physique. I didn't feel inferior so much as incompatible. Carl existed on a plane where success was measured by physical feats. He had a brain because his body needed it, rather than the opposite. I didn't understand such people. I didn't know what they wanted, or might do.
Related Authors
Ani DiFranco Quotes
American
Musician
Bob Dylan Quotes
American
Musician
Brian Eno Quotes
British
Musician
Bruce Springsteen Quotes
American
Musician
David Bowie Quotes
English
Musician
Drake Quotes
Canadian
Musician
Elton John Quotes
English
Musician
George Harrison Quotes
British
Musician
Henry Rollins Quotes
American
Musician
John Lennon Quotes
English
Musician
Madonna Ciccone Quotes
American
Musician
Moby Quotes
American
Musician
Nicki Minaj Quotes
American
Musician
Patti Smith Quotes
American
Musician
Thom Yorke Quotes
English
Musician
Tori Amos Quotes
American
Musician