A Quote by Greg Graffin
I want some fact-based evidence about where we came from. Things we consider mysterious need not be attributed to a deity.
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Some voters live in a so-called populist bubble, where they hear nationalist and xenophobic messages, learn to distrust fact-based media and evidence-based science, and become receptive to conspiracy theories and suspicious of democratic institutions.
Evolution is far more than a belief or an educated guess about how people came to be as they are. It is, in fact, the product of converging evidence from many, many different fields of science. Many, many thousands of studies that, in fact, have provided a theory, an organizing principal in fact, that describes how humans came to be.
I consider myself to be a relatively sceptical person. I like to see evidence for myself, and try to avoid speculating beyond available evidence. But I also have to accept some things on trust.
There is evidence for the deity of Jesus -- good, strong, historical , cumulative evidence; evidence to which an honest person can subscribe without committing intellectual suicide.
The fact that some things are mysterious or that they touch on mystery isn't in some way a capitulation, and one should realize that there are some things that we may never understand and, to that extent, should be humbled by that.
Individuals can make choices about their own health treatments, but it is critical public health decisions are evidence based and that consumers have appropriate evidence based information about alternative health products.
A line from one of my 1997 columns - 'Do one thing every day that scares you' - is now widely attributed to Eleanor Roosevelt, though I have yet to see any evidence that she ever said it and I don't believe she did. She said some things about fear, but not that thing.
I picture the evidence for the deity of Jesus to be like the fast-moving current in a river. To deny the data would be like swimming upstream against the current. That doesn't make sense. What's logical, based on the strength of the case for Christ, is to swim in the same direction the evidence is pointing by putting your trust in Jesus as your forgiver and leader.
When lip service to some mysterious deity permits bestiality on Wednesday and absolution on Sunday, cash me out.
You can't convince a believer of anything; for their belief is not based on evidence, it's based on a deep seated need to believe
I love the fact that we can't explain coincidences. I think it's like sometimes you walk into a crowded room and you'll see a stranger and you feel as if you know her better than the friends that you came with. And the very fact that you can't explain it is what gives it its power, that it lies in some deeper or mysterious realm, I think.
Some things need to be a song. Some things need to be a play. Some things need to be a painting. Some things need to be-though I'd never be a choreographer-some things might ought to be a dance [laughs]. I've found that exploring an idea in different ways, it gives you different opportunities.
I find the evidence for the deity of Jesus and the reliability of the Bible to be powerful and persuasive, and that evidence has only gotten stronger over the years.
I consider myself Istanbul's storyteller. My subject matter is my town. I consider it my job to explore the hidden patterns of my city's clandestine corners, its shady, mysterious places, the things I love.
My goal isn't so much genre, or fact-based or not fact-based. I just want to work on projects that I think could be great.
The visual world has blown up, the world of writing has blown up; there's so much text online. Anyone and everyone can express themselves. It's a lot to think about as an artist. Also, that the persona of the artist might actually be of some importance. When I came of age, it was important to be quiet and hang back and be mysterious. I knew artists who didn't even want to show up at their own openings. They never wanted to have their picture taken, didn't want to autograph a book, didn't want to answer a question. I came of age in a world where it was "Let the work speak for itself."
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