A Quote by Greg Graffin

I struggled to keep one foot in music and one in academia. I had worked on my Ph.D. for three years full time before I realized Bad Religion could be a legitimate career.
I grew up with Al Jarreau. We had a band together and worked these places for three years when neither one of us knew we could make a living doing music.
It was the beginning of our second career. We certainly had a full career - 15 years at it - before it came out, but 'Eliminator' had a tremendous impact on us and the people who listen to us.
Before doing fieldwork in Middle Egypt, I analyzed satellite imagery to determine exactly where I wanted to go. Within three weeks, I found about 70 sites. If I had approached this as a traditional foot survey, it would have taken me three and a half years.
My career was quite unusual, so my main advice to someone interested in a career similar to my own is to remain open to change and new opportunities. I like to tell students that the jobs I took after my Ph.D. were not in existence only a few years before.
As it happens, although I was at MIT on the faculty full-time for 18 years and then at Harvard for another 16, so I've always been in full-time academia, I always found it was both beneficial for my research and beneficial for the other work to be involved in the practicing community.
'Sleepless' was a script that had been written by three or four other writers before me, and it never really worked, but it had this amazing ending on the top of the Empire State Building that just worked, no matter what came before it.
I realized I couldn't have one foot in the fiction world and one foot in the nonfiction world, which is why 'Here I Go Again' is so not me. I didn't graduate from high school in the '90s, I never listened to metal music, and I don't time travel.
I worked in a dining hall in college and I worked at UPS for a full three weeks - it was the worst job I ever had.
I have written more than 100 novels and novellas since 1983 - I was first published in 1985. There was an overlap of three years with my teaching career, but finally I felt good enough about my writing career to quit teaching and write full time.
I think fashion is probably one of the most accessible and immediate forms of visual culture. In 1978, when I realized that I wanted to work on fashion, I had gone to Yale to get my Ph.D. in European cultural history. I suddenly realized fashion's part of culture, and I can do fashion history. All my professors thought this was a really bad idea, that fashion was frivolous and unimportant. And, increasingly over time, people have recognized that it provides such a mirror to the way we think, our values and attitudes.
I don't know what has caused this reawakening in academia. Obama? The GOP's assaults on science and on patients? Jon Stewart? I'm not at all sure. I just know I don't feel nearly as alone in academia as I used to. I'm feeling increasingly surrounded by fellow Ph.D.'s and by M.D.'s who seem to be taking a lot of things personally.
The modelling was fun but I don't see it the same as music, because with modelling, I was just kind of lucky, I just fell into it. I got discovered at a train station when I'd just turned 15, I was working full-time by 16, moved overseas and then just kept at it and made it a life. Whereas with my music, I've really struggled through and worked hard, learnt how to write and I've kept developing that.
Education in my family was not merely emphasized, it was our raison d'être. Virtually all of our aunts and uncles had Ph.D.s in science or engineering, and it was taken for granted that the next generation of Chu's were to follow the family tradition. When the dust had settled, my two brothers and four cousins collected three MDs, four Ph.D.s and a law degree. I could manage only a single advanced degree.
At 35 years of age, I realized that my ballet career wasn't going to last for ever. As a parent of three young children, I had to start to plan my future after dance even though I dreaded about.
I used to be good at clothes shopping and whatnot - at least ,I think I was! - but at some point after two kids and a career that worked out better than I ever could have imagined, I looked up from my desk and realized that I wore the same three t-shirts and 15-year-old jeans every day.
Thanks to my family and guru. They were quite confident that I could do it and think about music as a full-time career.
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