A Quote by Greg Iles

I like taking a character at the most intense moments of their lives and exploring all that in full and then moving on. — © Greg Iles
I like taking a character at the most intense moments of their lives and exploring all that in full and then moving on.
I think what makes compelling fiction or cinema is when you're basically taking the most intense moments of experience and you're creating a song or a narrative out of it.
Do not the most moving moments of our lives find us without words?
My life has been like all the lives, long and hard and full of sadness and confusion and horror, a frightening, difficult dream punctuated by brief moments of joy. And as is the case with all people's lives, the moments of joy are never often enough and never long enough.
I'm somebody that definitely thrives on pressure and I thrive in those moments where that's going to be tested and that's what I prepare myself for is the most intense of moments.
I love to play humorous moments in dramatic shows. That's always the most fun: to keep the logic of the character in a show that's basically action-adventure and then play the comedy moments.
There are moments in our lives, there are moments in a day, when we seem to see beyond the usual- become clairvoyant. We reach then into reality. Such are the moments of our greatest happiness. Such are the moments of our greatest wisdom. It is in the nature of all people to have these experiences; but in our time and under the conditions of our lives, it is only a rare few who are able to continue in the experience and find expression for it.
I start with an image, then I go from the image toward exploring the situation. Then I write a scene, and from the scene I find the character, from the character I find the larger plot. It's like deductive reasoning - I start with the smaller stuff and work backward.
I was looking for the meaning of life when I was in college. And my deal with my dad was as long as I was taking a full course load, then he would pay. And the times that I wasn't taking a full course load, then I was off the dole and I was working.
This is the world. I don't really believe in hell or heaven or an after life at all, I believe this is it. It can be a paradise for you, if you've got the right mindset. Or it can be a total nightmare. The song is just about remembering these moments of, you know, these epiphanies or magical moments of clarity that I think everybody has at some point in their life, often, while they're taking acid or something like that, or while they're doing really intense yoga.
There are very few moments in our lives where we have the privilege to witness history taking place. This is one of those moments. This is one of those times.
I feel so lucky to have 'Euphoria' as a first experience with taking on a character and exploring acting and in having this group of people as well.
You become so intense that you are not there, because if you are there then the intensity cannot be total; then two are there. If you love and the lover is there, then love cannot be intense. Love so deeply, so totally, that the lover disappears. Then you are just an energy moving. Then you will know love, you will know life, you will know death.
Most of us experience a life full of wonderful moments and difficult moments. But for many of us, even when we are most joyful, there is fear behind our joy.
An intuitive grasp of your character is formed by exploring scenes of profound emotional import-moments of overwhelming shame, joy, fear, pride, regret, forgiveness.
You want to represent it accurately, and the accurate representation of quarantine is not that it's sad all the time or that people are struggling constantly, it's that there are these moments of hardship and then there are intense moments of levity and kinship and people supporting each other.
I like exploring, especially being and getting more comfortable with a character and in the space a character is always in.
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