A Quote by Greg Kinnear

The tragic element of a character is always intriguing I think. — © Greg Kinnear
The tragic element of a character is always intriguing I think.
In every character you play, as much as you hate to admit it as an actor, but there's an element of you that you bring to it. Either the character helps you discover that element of you or the other way around, where that element of you helps you discover the character.
I have always been a big fan of the character and am more of a moviegoer than a comic book guy, there is always something about the character of Batman that is very elemental. There is a great powerful myth to the character and romantic element that draws from a lot of literary sources
In fact, most deaths are not tragic. Few people die because of a flaw in character, which is the essential element of tragedy. They just die.
What's always intriguing to me is transforming my subjects into a character from another era.
Whereas the comic confronts simply logical contradictions, the tragic confronts a moral predicament. Not minor matters of true andfalse but crucial questions of right and wrong, good and evil face the tragic character in a tragic situation.
I always tell myself that when you're playing a character, pretend they're on trial and you're giving the best witness of their life. You really need to think about every element of the character and represent them properly, as if they were a real person. You want to give 100 percent of what they're worth and what they deserve as people.
I think always whenever we're casting a movie, it's about sitting down with somebody and feeling in them some kind of the element of who our character is.
The zombie was just an intriguing character; it is a sympathetic character.
In terms of love, you're not in control and I hate that feeling. I seem to write a lot of sad songs because I'm a very tragic person. But there's always an element of humour at the end.
I just don't play a character for the heck of it. Rather, I always look for a human element in every character that I play.
I've always been intrigued by cutout silhouettes. They are so intriguing, so poetic-the shadow of a soul. They tell everything about a character and they are open to be filled with one's own imagination.
I think Sacajawea was caught in a series of tragic situations - her kidnapping as a child, her being passed from tribe to tribe, being sold into marriage. However, I never thought of her as a tragic figure. I do not think she was a victim in the way we think of tragic figures.
What the expression is intended to mean, I think, is that there is a better and a worse element in the character of each individual, and that when the naturally better element controls the worse then the man is said to be "master of himself", as a term of praise. But when - as a result of bad upbringing or bad company one s better element is overpowered by the numerical superiority of one s worse impulses, then one is criticized for not being master of oneself and for lack of self control.
The heavyweight division is always very intriguing. These are the heavy hitters, you know? Every time when you do a mistake, it's the end of the fight. So you have to be careful all the time, and this is what makes this division so intriguing, so exciting for the fans.
I like playing characters that are complex, that are intriguing, that come from left field, that do things that are unexpected. I don't like people who just follow one line and that's it - that's why I could never be in a sitcom, I don't think. They're not intriguing enough for me.
Secrets are very intriguing - I always think that's an interesting theme.
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