A Quote by Greg Kinnear
I was always explaining why my term papers were never on time. I think that's where I got my acting training!
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It's not that acting was something I'd always wanted to do. I had no formal training; I'd never really imagined I'd be an actress. Business was something that had always been in my mind, but when I got into acting, I learned everything on set, and for me at that point, I wanted to excel at what I did.
Even in my neighborhood, the kids come to me for interviews for their term papers. I ask them later what grades they got, and they're always A-pluses.
In the past, my family made a lot of sacrifices. We never got to spend much time together because I was always training. I think now I need to spend as much time as I can with them. This is the life I should have.
I've never changed my approach to acting. I've always felt like I've gotten better. I think that all of us can get better. I feel like, in my acting, I'm better than I was three pictures ago. I think about it. I'm a slow study. It takes me a long time to grasp the material, in order to perform it. But when I come to the set, on the first day, I know the whole movie. That's why I have to start early.
I'm always a people watcher. They always had us do that at the University of Connecticut where I went for my training. I got my B.F.A. in Acting there.
It's always been about shelf life. Long-term parking, not short-term. That's why I take the time that I do when I write.
Now, academics are not always the easiest people to talk to, and the scholarly papers aren't always the easiest papers to read, but frankly, psychology papers, especially papers and books on terrorism, are very easy to read, and journalists should be reading them.
I always think long term about anything. That's why I have never sold anything that I've ever purchased. And I never purchase anything that I don't think I'm going to keep for a lifetime.
I try to think of acting in terms of thinking and doing. People think of it as, "Oh, let's get inside this guy." They think that acting is being, or feeling, or emoting. It's as much doing. One of the first things you do as an acting student is ask, "Can you say words and do a task at the same time, like sweep a floor?" You get to watch the human condition, and there's always a "doing" aspect of it. This couple, they're carrying backpacks, where are they going? Students? Or are they carrying instruments? It stimulates the imagination. So acting is doing ... and I forget how we got off on that.
A lot of people expend great time and effort explaining why they don't like me, but none of them ever try to explain why their opinion should matter to me. I think most of them sense, but would never be brave enough to admit, their subordinate role in the food chain relative to me.
Listening to the director always interact with me in Telugu, I got a hang of the language on the sets of 'Uppena'. Given that I had no acting training beforehand, it took time for me to deliver long lines.
A good traditional conceptual instruction is what I got from my better professors at MIT. They would be at a chalkboard, and they would literally be explaining something and working through a problem, but it wasn't rote. They were explaining the underlying theory and processes and intuition behind it.
Music has always been something I wanted to do. I think just the idea of performing and entertaining and being in the studio is really what I wanted to know how that felt. I started to get into it around the same time I got into acting, but it turned into a side project because my movies were taking up most of my time.
I've always held to the belief, though, that people who do too much acting training always look like they're acting, you know?
There is always a better choice that you were unable to quite touch with a single stroke. Even in acting, there comes a point, like a painting, where you have to say, "That's it. I can't go any further with it." And sometimes, you say, "I'm really pleased that that's where it's finished up." Other times, you think, "I don't think I really quite got there, but I haven't got time to go any further." Rather reluctantly, you have to say "That's it."
The Chicago City News Bureau was a tripwire for all the newspapers in town when I was there, and there were five papers, I think. We were out all the time around the clock and every time we came across a really juicy murder or scandal or whatever, they'd send the big time reporters and photographers, otherwise they'd run our stories. So that's what I was doing, and I was going to university at the same time.
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