A Quote by Greg Kramer

Knowing is a veneer out minds create and lay over the landscape like a painter's drop cloth set upon a forest floor. Its uniformity protects us from the pine needles and beetles, but it also obscures them, as well as the soft moss, fragrant soil, and the teeming complexity of nature's bed. In moments, however, we catch glints and feel the breezes of something more direct, something outside that self system.
The ideal job letter starts with a brilliant light. Then we realize that this brilliant light is actually sunlight, shafts of it, pouring through trees onto a thick bed of pine needles. Soft dusty resin floats in the sun shafts, invitingly. The smell of pine and sap rises from the forest floor. A twig snaps underfoot.
The internet is like a surround system, a landscape at its most benign, a closed system of surveillance and self-surveillance at its more sinister. Something we can no longer imagine an outside of.
As I stand over the insect crawling amid the pine needles on the forest floor, and endeavoring to conceal itself from my sight, and ask myself why it will cherish those humble thoughts, and hide its head from me who might, perhaps, be its benefactor, and impart to its race some cheering information, I am reminded of the greater Benefactor and Intelligence that stands over me the human insect.
For as the aged, or those whose sight is defective, when any book, however fair, is set before them, though they perceive that there is something written, are scarcely able to make out two consecutive words, but, when aided by glasses, begin to read distinctly, so Scripture, gathering together the impressions of Deity, which, till then, lay confused in our minds, dissipates the darkness, and shows us the true God clearly.
Therefore, teaching, talk and tale, however lucid or fascinating, effect nothing until self-activity be set up; that is, self-education is the only possible education; the rest is mere veneer laid on the surface of a child's nature.
When you're trying to create something and you need to hang out, in not knowing, in all the cracks and spaces where you feel lost, and you need to endure them, and have new ideas come out of that emptiness, well, the Internet is what we do when we feel lost, you know? Like, you go online or you check your email when you don't know what to do next, and so it's not helpful, in that sense.
Grace: I picked up my sweater from the floor and crawled back into bed. Shoving my pillow aside, I balled up the sweater to use instead. I fell asleep to the scent of my wolf. Pine needles, cold rain, earthy perfume, coarse bristles on my face. It was almost like he was there.
What an amazing opportunity to do something like direct a movie and step out of your creative comfort zone and yet do something that is also so familiar at the same time. I was also just excited to have the chance to direct, which I may never get to do again.
I will direct one day. I need some more life experience before I feel like I can do something like that comfortably. It'd be a feature, it'd be something maybe that I had in writing as well.
When we wrote 'Avenue Q,' we worked hard to create something that could be funny and satirical but also had some surprise moments of heart, moments when the music itself could become a central player and create something sweet and moving.
Barrons has something the rest of us don't have. I don't know what it is, but I feel it all the time, especially when we're standing close. Beneath the expensive clothes, unplaceable accent, and cultured veneer, there's something that never crawled all the way out of the swamp. It didn't want to. It likes it there.
I'm an artist. Gardening is my graffiti. I grow my art. I use the garden soil like it's a piece of cloth, and the plants and the trees, that's my embellishment for that cloth. You'd be surprised what the soil can do if you let it be your canvas.
I have to say what I do is not easy and there are definitely moments where I feel inadequate to the tasks I've set for myself. And that's hard to feel - like you're giving your life to something and you can't really do it as well as you want to do it.
I think that I do feel that my nature is to express what this self, this particular self at this time, experiences in the world. And that is so organic - I use this metaphor a lot but I'll use it again - it's like a pine tree producing pine cones, or a blackberry bush producing blackberries - it's just what happens with this being, now.
Without sounding like a New Age crystal worshipper, you can feel something there, in these old dilapidated colonial farms and hidden graveyards in the middle of a pine forest. I certainly did as a kid.
This is the story, this is your character, I have the sense of the landscape, I have the sense of the scene, I have all that stuff. But I'm also looking for something else to happen, an accident or something. You're focused on the story you intend to tell and then you have to have a peripheral net out to catch these accidents.
This site uses cookies to ensure you get the best experience. More info...
Got it!