A Quote by Greg Kurstin
It's really cool to hear your stuff in things like TV shows. It's a pretty cool feeling to hear what you did in the studio and then to hear it in places like that. It's definitely surreal.
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You'll go into a fancy hotel and you'll hear this track where someone has sampled 30 seconds of a really good song. Your ear picks it up and you get excited but then it goes into some monotone thing. The Buddha Bar stuff annoys me. I don't need to be on a beach and hear this stuff through little speakers, but people think it creates a "cool vibe".
I like to just hear people talking and TV is a quick way to hear different periods and genres. It's just interesting to me. I'm pretty easily amused with that kind of stuff.
I think it would be super, hella cool to hop into a cab & hear my song on the radio - like, 'Yeah!' - and also be like, 'Who is this Griz guy? He's horrible.' That'd be really cool.
[As a frontman ] I'm going to wear leather pants and get blowjobs in the studio. That would be nice. They are definitely not cool, but I like them. I don't listen to them, but I like them when I hear them on the radio, normally.
I'm a businesswoman. I am a music lover. I like for people to like my music. When you listen to top 40 radio, you hear pop stuff. You hear rock stuff. You hear all these different influences
I'm a businesswoman. I am a music lover. I like for people to like my music. When you listen to top 40 radio, you hear pop stuff. You hear rock stuff. You hear all these different influences.
I was almost teaching myself through writing without even realizing it. It's like therapy. You can hear my progression as a person and how much happier I became, which is really cool for me to hear because I'm proud of myself.
Most people don't take some things into consideration. When they hear an album, they hear the artist or they hear the lyric or they hear the melody. But they don't really think about the environment in which it was recorded, which is so important. It's that thing that determines what the album sounds like.
I don't think it's cool for people to say, 'You shouldn't reference God because I don't believe that, and I don't want to hear it.' Well, there's a lot of stuff I don't believe that I still gotta hear.
I actually spoke to one of the heads of a studio, and he said I confuse middle America. Basically, when they see a black person, they see athlete, they see rapper, or they see criminal or something like that. And then when they hear a British accent, they hear posh, so they hear lawyer or doctor.
Miley is crazy, and a lot of the things she does are things that should not make any sense to be in houses. And a lot of times when you first hear what she's going to do, we're like, 'Oh gosh.' And then you see it, and you're like 'Wow, that is really, really cool.'
To make a live record - something that has a lot of life in it - is difficult. After slaving away for years in the studio, when I hear a No Age record or when I hear Yeah Yeah Yeahs' first EP or when I hear DRI or really early punk stuff, it's just so powerful, so raw - and I know how hard that is to create. It's very deceptive. It's like a Dardenne brothers film - it seems like just a handheld camera following some people around in a trailer park, but it's incredibly difficult to do that.
There's a perception that if an artist produces another artist, they're going to imprint on them. But I'm the opposite. I want to hear that artist; I don't want to hear me - that's the last thing I want to hear. There are a lot of technical studio things I've learned or figured out, and I feel like I could use those things to help other people with what they're doing.
Am I really cool? You're telling me I'm cool? Well, that's good to hear.
I think right now is when we need to hear different voices coming out of all parts of the world. You can't just hear the politicians and the military leaders. You have to hear from the taxi drivers. You have to hear from the painters. You have to hear from the poets. You have to hear from the school teachers and the filmmakers and musicians.
I know when I'm onstage, I don't think about how it looks, I just concentrate on really feeling what I hear. But I totally know I look like Gollum when I perform, so it's cool.
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