A Quote by Greg Lake

Songwriting is never one thing. I've spent as long as three months writing a song. Other times I've done it in twenty minutes. — © Greg Lake
Songwriting is never one thing. I've spent as long as three months writing a song. Other times I've done it in twenty minutes.
For 'The Hotel' I spent one year to find the hotel, I spent three months going through the text and writing it, I spent three months going through the photographs and I spent one day deciding it would be this size and this frame...it's the last thought in the process.
The big problem with songwriting for me is starting a new song. It's the thing where all the anguish exists, not in the writing of the song, but the starting of the new song. What do I write about? I never know.
Sometimes you're writing a song and you have an image whilst writing a song. I don't think you ever base a songwriting process around a video, but when you're writing a song sometimes it'll be a very visual song.
'Purple Plumeria' I dithered over for months and then wrote the whole thing between the beginning of July and end of August. The dithering and procrastination time was three times the writing times.
I've been singing this song now for twenty five minutes. I could sing it for another twenty five minutes. I'm not proud... or tired.
During those times like in my early years as a writer I could actually write a song in ten minutes because all of a sudden a song is writing itself, I'm just putting down words. It just seem each line that you put down flows with the other ones. It's like writing a love letter you don't think about it, it's something from the heart.
I did the twenty-three-hour Nose route to the top of El Capitan in eighteen hours and twenty-three minutes, I can get over this.
The big problem with songwriting for me is starting a new song. It's the thing where all the anguish exists, not in the writing of the song, but the starting of the new song.
One year Halloween came on October 24, three hours after midnight. At that time, James Nightshade of 97 Oak Street was thirteen years, eleven months, twenty-three days old. Next door, William Halloway was thirteen years, eleven months, and twenty-four days old. Both touched toward fourteen; it almost trembled in their hands. And that was the October week when they grew up overnight, and were never so young any more.
'Cause a musician, you can't tell me, "I've got this message I want share with the public," and it's three-and-a-half minutes long. That's not it. If your message is only three-and-a-half minutes long, then we got nothing else to talk about. Because life is more complex than three-and-a-half minutes.
Most people think a song is a song - three minutes, and you're done. I don't think this way. Songs are my wings. They're what I use to fly. It's very important for me to put everything in the right place.
The tweets are getting shorter, but the songs are still 4 minutes long. You're coming up with 140-character zingers, and the song is still 4 minutes long…I realized about a year ago that I couldn't have a complete thought anymore. And I was a tweetaholic. I had four million twitter followers, and I was always writing on it. And I stopped using twitter as an outlet and I started using twitter as the instrument to riff on, and it started to make my mind smaller and smaller and smaller. And I couldn't write a song.
The most interesting thing about writing is the way that it obliterates time. Three hours seem like three minutes.
Early this morning, 1 January 2021, three minutes after midnight, the last human being to be born on earth was killed in a pub brawl in a suburb of Buenos Aires, aged twenty-five years, two months and twelve days.
We're always writing music no matter what. And we're not always acting - we have months off. But we never take a break from songwriting.
I see pictures in my mind and become the character in the song as I'm writing. It's kind of method songwriting, where you're the actor in the song.
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