A Quote by Greg Laswell
I've always loved doing covers. Some artists don't like covers. Some listeners don't like covers. But I love them. It gives you a new perspective production-wise. It's easier for me, if I'm starting a new record, I like to produce a few songs that aren't mine just so it frees me up not to worry about it so much.
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I do covers for CDs and LPs of music that I like, reissues of old-time music, and then I'm inspired to make some kind of drawing based on this love of the music. I don't do album covers or CD covers for groups or musicians I don't like or have no interest in.
In those days I was new to covers; merely felt pleased that a story of mine had been honored. I later met Rogers who did some of my early covers and I was impressed with him.
One of the reasons that DC, Marvel, and other comic book companies have always asked me to do covers and variant covers is because they know that when they tell me 'icon,' I jump over their words, and I give them an iconic cover - but while I'm doing it, there is going to be an idea there.
Like many musicians, it's my roots in music, playing cover songs. I've done probably a lot more covers than the average person who does what I do, but I'm very proud of it, and I do feel like I really bring a lot artistically to these covers.
I think I started doing covers when I was... what, like 9 or 10? I would always do the songs that I wanted to do and the songs that my parents wanted me to do. You would see me cover every Adele, Christina Aguilera, Taylor Swift and Carrie Underwood. Then I'd have to do 'Sweet Child O' Mine' and 'Crazy Train,' and it was a really weird combination.
You'd think with all the magazines and the covers and all the sexy stuff I've done, that that's hugely a part of me. But even though I've played those roles and I've dressed up and been on the covers of these things and done this and that, it is all such pretense. So I just thought, "I can't be one of those girls. I wear bib jeans. I don't wear underwear like that. I don't move in the world like that." You know, I'm more bare-footed Rastafarian, crazy.
I don't do album covers or CD covers for groups or musicians I don't like or have no interest in.
Adrenaline is wonderful. It covers pain. It covers dementia. It covers everything.
If an architect makes a mistake, he grows ivy to cover it. If a doctor makes a mistake, he covers it with soil. If a cook makes a mistake, he covers it with some sauce and says it is a new recipe.
When I was a street performer, before I had any songs of my own that anybody would stop and put in money for, I would always be doing covers. Even with covers, people wouldn't stop in the beginning.
I have always felt that effect covers are very good covers. They bring you into the story if you pay attention to them.
The time came around where the label was like, "Well, if you want something to come out in early 2017, it's going to have to be done by, like, so-and-so." So I plucked some of the old songs and wrote some new ones. Everybody keeps asking me, "Is this your L.A. record?" I was doing songs in a bedroom in New York, I was doing it in a bedroom in L.A. The only difference is when I look out the window, there's palm trees instead of snow.
When I put out a record I don't really like to do covers as much, but I don't mind playing them. I do them mostly for my friends. When a friend's like, 'Man I really like that song,' I go 'hahaha' and I go home and I record it.
I didn't want to be a solo Westlife - covers and ballads - and the reason I signed with Capitol Records was because they wanted me to write songs myself. It was pretty scary, but they put me in a studio in Nashville with some new songwriters, and the results were pretty good.
It's not enough to play the old songs; that feels like being your own covers band or something. It's a big release to do new stuff.
This record has a lot of influences that I'd love to cover, like Marvin Gaye and Earth, Wind and Fire. Maybe I'll do some covers of my major influences during my live show.
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