A Quote by Greg Lynn
What's interesting about architects is, we always have tried to justify beauty by looking to nature, and arguably, beautiful architecture has always been looking at a model of nature.
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There's something always instinctively visually right about nature. There's no difference, to my eye, between looking at a great painting and looking at nature. Because painting, when it's great, has the same immutable rightness, unquestioned rightness, about it.
I just want to make my last demand in reverence to the work of what has been done by architects of the past. what was, has always been. what is, has always been. and what will be, has always been. such is the nature of beginning.
We've been fighting from the beginning for organic architecture. That is, architecture where the whole is to the part as the part is to the whole, and where the nature of materials, the nature of the purpose, the nature of the entire performance becomes a necessity-architecture of democracy.
Architecture is supposed to complete nature. Great architecture makes nature more beautiful-it gives it power.
I grew up without religion, but my parents have always been somewhat mystical about nature: The mountain is looking at us, stuff like that.
What we're looking at is God's design, nature's template, and using that as a pattern to cut around and lay it down on a domestic model to duplicate that pattern that we see in nature.
When I talk to a man, I can always tell what he's thinking by where he is looking. If he is looking at my eyes, he is looking for intelligence. If he is looking at my mouth, he is looking for wisdom. But if he is looking anywhere else except my chest he's looking for another man.
Interesting-looking people have always been comedians, and it's rare that someone who has the choice to model ends up being a comic. Except for maybe Whitney Cummings, but that's about it. That's why she's special: because she can combine it.
Architects and food at a construction site equals indigestion. We're always looking for details that haven't been executed correctly.
Everything man is doing in architecture is to try to go against nature. Of course we have to understand nature to know how far we have to go against nature. The secret, I think, of the future is not doing too much. All architects have the tendency to do too much.
In science we see progress. In art there is no progress. In art the questions have always been the same. From the beginning of time till now, we are always asking the same questions. There are very few. We are looking for God, we are asking why we die, we are contemplating sex and the beauty of nature. The only thing that changes is that, in each period of questioning, we speak with the language of our time.
When I started university, I didn't know much about architecture, so I flipped through a lot of magazines, looking at different and exciting images from all over the world. I thought that architecture could be interesting.
For too long we have tried to consume our
way to prosperity. Look at the cost: polluted
lands and oceans, climate change, growing
scarcity of resources from food to land to fresh
water, rampant inequality. We need to invent a
new model; a model that offers growth and social inclusion... that is more respectful of the
planet's finite resources. Nature has been kind
to human beings, but we have not been kind to
nature.
I've always been interested in oral traditions and mythological stories and legends from antiquity that have to do with nature, attempts to explain mysterious or puzzling, or very striking phenomena from nature. Things that people observed or heard about in nature.
I don't think school reform should be motivated by missionary zeal. I think it should be motivated by evidence of what works. I have been critical of Teach For America in the past but I think one of the things about their model that's interesting is that they're constantly looking at it and whether what they're doing works and reassessing their model, and making changes. So to the extent that I believe everyone in the education sector should be looking at evidence, reassessing, making tweaks to figure out what works, I think it's a positive model.
One of the elements of photography is, just by nature, journalistic. It's some kind of documentation. The most successful pictures to me are with an interesting looking girl. They're not being provocative. They're just presenting their drugs to you, showing you what they take. There's a good-looking girl, but here's this thing about her that's not so cool. It makes you feel a little uneasy.
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