A Quote by Greg Lynn
I really like the pop culture materials of everyday life, but used in some way that elevates them to something you notice and care about.
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I'm aware of how pop culture really infiltrates your expectations in a way that even if you think you're savvy about pop culture, it's so hard not to have these expectations of what a relationship should be. So I constantly feel like I have to bat those expectations down.
I put so much pop culture in my movies because we speak about pop culture all the time. But, for some reason, movies exist in a world where there's no pop culture.
I take pop culture really seriously, I think it's really important, and the stuff that I make...I don't want it to be insubstantial, even if it's about something wacky, like sharpening pencils. I feel like I owe it to myself and I owe it to people who are really interested in pencils and I owe it to anybody to do my due diligence and give them something real.
All I care about really is writing something worthwhile for children, something that will engage them in some way and stimulates in them a sense of wonder.
There's something retro about the pop culture references in the paintings, so I'd imagine it's not as much a pop culture reference as a pop art reference.
I used to be the hippest of them all. I used to know everything about everything. I used to read about everything that was going on, and I knew everybody's name and anybody in pop culture. Anything that was written about me, I would read.
I believe that pop culture is just, like, so ready for 'Watchmen.' We tried so hard to ride that wave between satire and reality, and all the things that make you still care about the character, but you don't miss the commentary about them.
I try to look at the films as I make them from a distance, in a way. I think of them as kind of pop culture artefacts. I'll often make posters and tag lines as I'm working on them, and not just conceive of them as a story I'm going to tell, but as a whole, a piece - a whole object that exists in the pop culture realm.
There's something about materials like copper, woods, stone, trees, shells. You walk outside and these materials are part of the world before we touched anything. There's a feeling of pleasure that many of us have in materials that have some presence before us, like clay and wood and copper.
Hip-hop culture itself has completely consumed everything involved in entertainment. When you think about basketball like the way those guys dress; I don't know if you notice but people care about how you dress these days.
Yes, there's something dangerous about turning people into token social activists. I was thinking about this recently with our pop-culture feminism, when feminism is such a buzzword in the media now. We're covering it in a way that we haven't before, but also in a way that's way more surface level. And while I think that there's some danger in that, I also think it's a great gateway for some people.
When you have a child, you really understand what it means to love, to have something to be selfless for. I think that elevates you. It elevates your consciousnesses, your level of thinking, your art and the way you approach it - everything.
I've found that no one complains about pop culture being a source of someone lecturing to them. If someone's telling you about Kim Kardashian, you're not going to accuse them of lecturing to you. If I can explore an intersection between pop culture and science literacy, then it generally will not come across as a lecture.
It seems to me that we make a terrible mistake in talking about Trump as some kind of essence of evil. Trump is symptomatic of something much deeper in the culture, whether we're talking about the militarization of everyday life, whether we're talking about the criminalization of social problems, or whether we're talking about the way in which money has absolutely corrupted politics. This is a country that is sliding into authoritarianism.
I really enjoy forgetting. When I first come to a place, I notice all the little details. I notice the way the sky looks. The color of white paper. The way people walk. Doorknobs. Everything. Then I get used to the place and I don't notice those things anymore. So only by forgetting can I see the place again as it really is.
I think the whole thing is kind of sad, honestly, in the same way that our civilization - particularly the consumers of pop culture - has grown so used to an emasculated, bare-chested leading man that something like simply growing a mustache can impress people.
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