A Quote by Greg Olsen
My approach every game really tries to stay the same. I try not to make it about me. I try not to make it about my personal vendettas.
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I make work that tries to sort of connect with something really, really familiar. I don't try to make work that's original. I try to make work that's quintessential. That's what I mean about the familiar. It operates with stuff that people already know or information that they already have and I try to just use that. Quintessential means like the perfect minimalist sculptor.
For me, it's about trying to do everything I can to help us win. Try to bring that energy every night, try to make it as contagious as possible and try to win a game.
I could make Halo. It’s not that I couldn’t design that game. It’s just that I choose not to. One thing about my game design is that I never try to look for what people want and then try to make that game design. I always try to create new experiences that are fun to play.
I approach everything the same. I try to make it as real as possible, whether you gotta make people laugh or make people cry, it's always the same approach for me. But if I start doing pratfalls, somebody please pull the plug on me.
There's been a great development with scale on TV, but my approach is always the same across projects, whether it's a video game, a movie, or a TV show: I always try to set up my sounds and my themes. I really try to stay with the characters and do the storytelling through the music.
I don't really approach stories to make them different from other stuff I've seen, I just try to get into the character, into his or her head. Try to make it as funny, as scary or as wild as I can so that I really like it.
I would say I try to make my comedy really personal. I try to tell stories that happened to me, experiences from my life.
You lose weeks of sleep over a bad game, and a bad game could be one missed kick. So the ones you make, you just try to build on the confidence with it, and the ones you miss, you try to get it out of your head as quickly as possible and try to make the next one.
My approach to every game was to try to erase the games that were before and try to focus on the game at hand.
There's really no difference between what I do and what a male filmmaker might do. I mean we all try to make our days, we all try to give the best performances we can, we try to make our budget, we try to make the best movie we possibly can.
Baseball is actually interesting, I don't find me to be that interesting. But I am realistic enough to understand it's not about me, it's about the fact that I'm speaking for the game and people care so deeply about the game that they're watching to make sure that you do the right thing. And I feel a real responsibility to try to do the right thing as a result.
I can't predict the future. All I can do is continue to try to stay in shape and work on my game and have a clear mind and not try to think about negative stuff.
To me it's not about how much money you make or the car you drive, it's about what kind of person you are and how much pride you take in what you do. I try and apply that same level of passion to every path I choose in life.
I hear a lot of young people talking about the need to network. I think that is true, and I think that building a network makes sense. But I also think that there is another way to approach it, and that is to try to make friends. Just try to make a lot of friends.
My parents have done a tremendous job, over the course of my career. They try to make every game and I think my rookie year, my mom made every game... They've been really consistent and it's all you can ask for as a kid.
My job as an actor is to try to do what the director wants me to do. I'm going to do everything I can to incorporate that note and make it work. If it doesn't work, I'll try this kind of thing, and "How do you feel about that?" If you are at odds with the director, neither one of you is going to get anywhere. You really do have to be able to make both of you happy. Even when I was younger, there were times when you have to find a way to make it work for both of you.
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