A Quote by Greg Poehler

I feel like the longer I hold out - I feel like as soon I move to L.A., I just become one of a million. — © Greg Poehler
I feel like the longer I hold out - I feel like as soon I move to L.A., I just become one of a million.
At different times in life, I've felt like it's time to say goodbye from some form of myself that's been hanging around for a while - you just feel this urge to move on, like a herd of antelope. They're just standing there in a field eating grass. You feel like that as a person sometimes. Where's it's just time to move on.
I felt like if I could get the epiphany out of the way in my drafting process, through my eighth or tenth draft, then that can just be part of how I've assembled the character, and then we can move on and move forward with it. In general, I don't ever want to feel smarter than my characters, because I just feel like that's not a great way to write a story.
I'm ready. I feel like I can't be beat. You have to feel like that being a fighter. I just feel like this is a bigger type of energy. I feel like I've beaten so many odds. I feel kind of invincible. It's going to be a good fight.
We all don't feel like a million bucks, even if you're an actor. You just don't; not all of us feel like movie stars.
I get burned out on standup. But I like acting. I do like it. But sometimes you just feel like a monkey. You just feel like a complete tool. But I like it. I do like it. Stand-up is just more free. A lot more freedom because you just do what you want to do.
You've got to be able to hold a lot of contradictory ideas in your mind without going nuts. I feel like to do my job right, when I walk out on stage I've got to feel like it's the most important thing in the world. Also I've got to feel like, well, it's only rock and roll. Somehow you've got to believe both of those things.
The notion that I do my work here, now, like this, even when I do not feel like it, and especially when I do not feel like it, is very important. Because lots and lots of people are creative when they feel like it, but you are only going to become a professional if you do it when you don't feel like it. And that emotional waiver is why this is your work and not your hobby.
I always knew I wanted to be a woman in men's clothing because I just feel good like that. I feel like I'm taking a different space: I move differently; I'm more at ease.
I feel like a lot of my fans hold high expectations of me when it comes to inside the Octagon - not so much outside of the Octagon - but I feel like most of my performances are pretty dominant, so I don't feel like I have the luxury to not perform in an extremely impressive fashion.
It's not that I don't respect my parents' authority or appreciate all that they did for me, but when I was 18 I was able to move out, and I was out. I feel like a different person since then; I mean, it's obviously a big turning point in life. I feel like I've established myself, and I'm a smarter and more mature for it.
I've never felt the need to tell anyone that I'm bisexual. I don't feel like I am. I just feel like I'm attracted to who I like. I honestly feel like everyone is like that.
I feel like a lot of the stuff coming out right now just feels really inauthentic to me. But apparently, people don't seem to see through it. And this makes me sound bitter, but it's just my perspective. I'm not bitter. I just feel like there's a lot of stuff that doesn't feel like it's coming from a place of any sort of integrity. It just doesn't feel like it's coming from the heart, basically. It just feels like it's being produced because people know it's a formula that will work, or it's easily digestible and fun to look at.
I decided about a year ago, and I just feel like I want to see more personal style in people, and I feel like if I'm going to be out there in the public eye, they should see who I am and how I dress, and I feel like it, also.
I don't feel like I'm taking pictures, I feel like I'm just gathering them in. They're all out there. I know where they'll be; I just have to get out of bed early enough to bring them home. Like lost kittens.
I believe, and this is something I also learned from Alice Munro, that there's a moment where the personal becomes totally universal. When you see that person in their pathetic moment, that's the moment where the completely unifying sympathy with that person is possible - where you're no longer a person here and they're someone over there, and you can really feel like one, you can really feel like a human being. Or more like, you can really feel like flesh and blood, because I feel like that moment is the same thing with animals.
People that come to my shows are definitely people that feel outsiders. They feel like I don't feel sexy, I don't feel like - I can't go out every night on Friday and I can't connect to that, and I feel so much pressure to do that.
This site uses cookies to ensure you get the best experience. More info...
Got it!