A Quote by Greg Rucka

Comics fans want new stuff that looks exactly like the old stuff. It is hard for the publishers, and even the audience, to change something. — © Greg Rucka
Comics fans want new stuff that looks exactly like the old stuff. It is hard for the publishers, and even the audience, to change something.
Mainly horror movies and exploitation movies and a lot of stuff comes from those press books from those old movies. Lines out of old movies, comic books that we collect, all the old horror comics of the 50s, probably about the only comics that we collect are obscure horror comics, the real sick ones from the 50s. Some stuff comes from there but mainly just old records, old rockabilly records and that stuff, singles mainly, 45s.
With the tone of the show, like a lot of the films, the Marvel creative team has found a way to bridge really exciting stuff that has real stakes. They balance some of the action stuff that the fans of the comics really want to see with characters that people can relate to and who are very human.
I’m going to do a lot of weird stuff that’s not going to be like me prancing around like an insane 12-year-old. I showed everybody that side of me and I think it’s time to do different stuff, even when it comes down to the type of humor. I want to do some drier, weirder stuff.
I'm going to do a lot of weird stuff that's not going to be like me prancing around like an insane 12-year-old. I showed everybody that side of me and I think it's time to do different stuff, even when it comes down to the type of humor. I want to do some drier, weirder stuff.
Whenever we play new material, eventually some of the songs become classics themselves. They can't become that unless you play them. Any new song is not going to go down as well as some of the old stuff, because obviously the old stuff the fans know inside out.
Doing new stuff live is tough just simply because I pay my money, I stand in my seats, and I see the guys I love. And if I paid that ticket, there's a good chance that I'm there to hear the stuff that made me fall in love with 'em - we call it the "old stuff." And if an artist comes in town and dumps his entire new album on me, as a listener in a concert venue, it happens to miss out on the old stuff that I came there for. That doesn't work too well for me as a listener. Most of the time for concerts, it's the old stuff.
The trick of it, she told herself, is to be courageous and bold and make a different. Not change the world exactly, just the bit around you. Go out there with your double-first, your passion and your new Smith Carona electric typewriter and work hard at ... something. Change lives through art maybe. Write beautifully. Cherish your friends, stay true to your principles, live passionately and fully and well. Experience new things. Love and be loved if at all possible. East sensibly. Stuff like that.
You have to be very careful how you insert new stuff, 'cause people want to hear the old stuff. It's like cooking, you know? You can't put too many peppers into the eggs... otherwise it's going to be distasteful.
Funny, reely," he said. "You spend your whole life goin' to school and learnin' stuff, and they never tell you about stuff like the Bermuda Triangle and UFOs and all these Old Masters running around the inside of the Earth. Why do we have to learn boring stuff when there's all this brilliant stuff we could be learnin', that's what I want to know.
In my Comedy Club sets, I just work on what is fresh and try to build that show as long as I can. I don't like to do burnt material on stage. Even though my crowd loves to hear me do old stuff, I don't like to do old stuff.
My dream is to be Endora in Bewitched. That's the part I want to do. I want to do a fabulous old woman. I want to be Maggie Smith someday. Not exactly like her, but that genre. I like that kind of humor - sophisticated, vain stuff.
I don't like to do burnt material on stage. Even though my crowd loves to hear me do old stuff, I don't like to do old stuff. So I do very, very little of it.
I don't even like showing my stuff to publishers and editors much.
I've got all of the old school vinyls from the '70s - even further back, like the jazz music in the '40s, '50s, '60s. Then I've got all the '80s stuff underground, hip-hop when hip-hop really first started. The '90s stuff. All of the good stuff, because I'm really into music, and it helps me create new songs now.
I'm 14 years in the game, ... There's some kids that weren't even born when my first album came out. I wanted to draw a timeline between my old stuff and my new stuff and bridge it to where there's a level of continuity.
I love the idea that you would wear vintage stuff with new stuff and wear stuff that's 5 years old.
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