A Quote by Greg Rucka

I think when you're working with a character that another writer is acting as - for lack of a better word - custodian of, your obligation as a professional is to not do anything that violates that 'primary' take.
Words without deeds violates the moral and legal obligation we have under the genocide convention but, more importantly, violates our sense of right and wrong and the standards we have as human beings about looking to care for one another.
But the writer who endures and keeps working will finally know that writing the book was something hard and glorious, for at the desk a writer must try to be free of prejudice, meanness of spirit, pettiness, and hatred; strive to be a better human being than the writer normally is, and to do this through concentration on a single word, and then another, and another. This is splendid work, as worthy and demanding as any, and the will and resilience to do it are good for the writer's soul.
The truth is that you are nothing more than the custodian of your inner and outer wealth while you are on this planet. All you have to decide is what kind of custodian do you want to be? Do you want to be a good custodian of your inner and outer wealth? Or a bad custodian?
In acting, you have a writer, a director, a character - you're working through being another person - and the irony I always tell people is when I acted early on as a teenager, it actually kept me out of trouble.
I don't believe a poet has a better hold on truth or morality than a fiction writer has. And I don't think a fiction writer has anything over a journalist. It's all about the good word, properly inserted.
You can meditate on almost anything: a prayer, song, image or word. Close your eyes; sit in a comfortable position. Take a breath, and say the word out loud, emphasizing the humming sound at the end. When you come to the end of the breath, take another one and say the word again. And so on.
I really knew with every fiber of my being that acting was - for lack of a better word - my calling.
I'm pretty, for lack of a better word, happy-go-lucky. I take things very seriously, but I'm very aware of people around me. I like to be part of a group that's working together towards something positive.
A professional writer is a joke. You write because you can't do anything else, and then you have another job.
I am a writer, I deal in words. There is no word that should stay in word jail, every word is completely free. There is no word that is worse than another word. It's all language, it's all communication.
Working on 'Mad Men,' everything is word for word. And, honestly, I couldn't come up with anything better than that, so it's fine.
I had a wife and children. I was mostly working in painting and decorating and then taking the occasional acting job as they came along. At that stage in your life you have to think about your priorities. It looked like I was going to have to take the building more seriously and give up acting.
For lack of a better word, acting is therapeutic. You really are breaking down barriers, exorcising demons and finding more out about yourself.
If a writer doesn't do anything but give a new word to his language and, from there, maybe to other languages, I think that writer redefines the world.
I don't want to take shots at professional actors, because obviously the great ones are great. But I do think that given the kind of stories I've been telling in my films, it's hard for me to imagine how professional actors would have done better. And it's easy for me to imagine how they would have done worse. Because I think a lot of what an actor is trained to do and a lot of what an actor's instincts point toward is clarification, is always making it clear what's happening in the story, how the character fits into the scene, what the character wants.
While it is challenging working with a kid, because they're so of the moment all the time. My acting style is to try to take something from my life that the character can relate to and that I can relate the character to.
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