A Quote by Greg Rucka

'Alpha' is a very fast-moving book. It doesn't lend itself to laborious introspection and the navel-gazing that some stories can fall prey to. — © Greg Rucka
'Alpha' is a very fast-moving book. It doesn't lend itself to laborious introspection and the navel-gazing that some stories can fall prey to.
A lot of mixed-race stories are these navel-gazing, horrible accounts of mulatto tragedy.
For example, Michael Mann's film Collateral - there is certain kinds of stories that lend themselves to digital photography. Some things are very raw stories that digital photography kind of lends itself to.
Believing that navel-gazing in and of itself can transform itself into something that means something for society. I mean, we are communicative creatures. We desire to sort of understand each other's experiences and points of view. Storytelling is what painting, literature, filmmaking is all about.
'Slacker' is so not about navel-gazing.
I fall in love with certain stories. Those stories tend to be connected to my life some way - for instance, with my first book I was writing about the experience of coaching Little League in the Chicago inner city. But the common thread tends to be exploring some kind of mystery. Simple questions that spiral deeper.
I try not to be super self-referential about my work because it becomes like navel gazing at a certain point.
My experience is that the universal is the personal. If you can get past your navel-gazing into the deepest part of yourself as a writer, you find everyone - we're all there.
In every decade rock and roll starts to get very serious and navel gazing and kind of self serious and every once and a while it kind of needs a kick in the pants.
You know my issue isn't whether gay people go to heaven or straight people go to heaven. The point that I'm trying to make is that we as believers can have security in Christ when we are believers. We will all struggle, we will all fall prey to some type of sin, some will fall prey to the same types of sin over and over again. I don't differentiate between this one sin struggle than any other.
I started writing the book without realizing I was writing a book. That sounds stupid, but it's true. I'd been trying and failing to make a different manuscript work, and I thought I was just taking a break by writing some short stories. I'm not a very good short story writer - the amazing compression that is required for short stories doesn't come easily to me. But anyway, I thought I'd try to write some short stories. And a structure took shape - I stumbled upon it.
Producing is the antidote to acting. Producing is practical problem solving all day long. As opposed to endless self-obsession and navel gazing.
We live in a time where there's a great deal of navel-gazing with the devices that we have that occupy so much of our time... many subjects of history are lost.
The media loves to spend a lot of time talking about itself and do a lot of navel-gazing, which the general public isn't quite that interested in. They aren't really particularly concerned with whether our feelings are hurt or the things that we complain about. They have their own lives and their own jobs that are difficult as well. I think where the media has gotten itself in trouble is the sense that they're much more interested in things like parsing words and getting into fights about little minutia, as opposed to stepping back and seeing what the big picture is.
It seems when the madness sets in the mix of wealth and seductiveness, it's never the first generation that acquired the wealth; they had to be quite savvy. That savvy-ness probably meant you were some sort of alpha person. That alpha stuff in the later generations, you still have the intelligence, but it tends to manifest itself in bipolar disorders and inestimable amounts of depression.
Everybody accuses me of moving fast when I direct a picture. I don't move fast, but I just keep moving.
There was a time when people had the decency to wait until they were approaching 50 to have a mid-life crisis. Now it seems many thirtysomethings find themselves succumbing to existential navel-gazing.
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