A Quote by Greg Rucka
I think there are certain questions that get asked in comics over and over again, and people want definitive answers, but I feel like there shouldn't be definitive answers.
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I feel like people expect me to give them easy answers, but there aren't really easy answers. There are only harder questions. And unless we get to the harder questions part, about what this conversation is really about...of course I want an immigration bill to pass. I want people to have a driver's license and work permits and green cards and passports. But this conversation transcends this bill. We're not going to have a perfect bill. This is politics. I feel like my job is instead of giving people easy answers, my job is to actually to ask people to probe deeper.
So when I say that I think we would have a different ethical level, particularly in corporate America, if there were more women involved, I mean that what women are best at is asking questions. Women ask questions over and over again. It drives men nuts. Women tend to ask the detailed questions; they want to know the answers.
'Apocalypse Now' poses questions without any attempt to provide definitive answers, and the film's profound ambiguities are integral to its enduring magic.
Think about the answers of the questions that have not yet been asked! When they are asked, you will have the answers ready!
Christian faith is exclusivistic. Christian faith lays claim upon our lives. The sanctity of life, what we do with a life, is very definitive in the Christian faith, what we do with sexuality, what we do with marriage, all of the fundamental questions of life have points of reference for answers, and people just have an aversion for that. That I think is the biggest reason they feel hostile towards the Christian faith.
History does not produce definitive answers for all time. It is a process.
My advice to young people in the wrestling business would be to repeat such questions to yourself as: "How am I standing out? How am I getting recognized? How am I getting over?" And if you don't have definitive answers for doing those things, you are doing it wrong. It is, essentially, on them. There is no right way to do it, and that's one of the great things about this business because you can be creative. People who say they have it figured out are wrong.
I have a tradition of working with actors, over and over again. I've worked with Jason Bateman, over and over again. You get to know an actor, and you get a certain trust and a comfort, and you become really good friends, and you feel like you've got a short-hand.
It's okay to ask questions, but get the answers. So, where are the answers? Since the questions came from within you, guess where the answers are? Within you.
In 1969, at the age of 19, I was lucky enough to work with George C. Scott in the definitive portrayal of his career over a period of many months and several countries on the definitive film version of Patton's WWII career.
Language was invented to ask questions. Answers may be given by grunts and gestures, but questions must be spoken. Humanness came of age when man asked the first question. Social stagnation results not from a lack of answers but from the absence of the impulse to ask questions.
Information can tell us everything. It has all the answers. But they are answers to questions we have not asked, and which doubtless don't even arise.
It's weird to get asked questions that I don't know the answers to... But I like getting questions I don't know the answer to because maybe it's the first time I've been asked to articulate these things.
I guess when I look over my shoulder at other designers, I feel like people are so definitive. It's so clear to me what their aesthetic is, what they're projecting. And I look at my own work and I think, Who could ever decipher what the hell is going on?
Scouting and player development is the key to year-in and year-out success, not the occasional lucky hit. There are no definitive answers in this game, no shortcuts. When you think you've got it all figured out, you can get humbled very quickly.
I like to improvise so much live because I get bored playing the same thing over again. It's like the kid at school that already knows all the answers so doodles all over the paper. I do that a lot live.
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