A Quote by Greg Rucka
All the sudden, I was part of the 'No Man's Land' thing, and there was a bundle of core writers for that, but somewhere along the line, I became the go-to guy after that initial arc.
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I remember a concert for a visiting girls school, and that was the first time I ever sang - it was always about girls - that was the main thing. But somewhere along the line, it became a cathartic thing.
I think it became blurry because I grew up in a very private family. I mixed privacy and secrecy up somewhere along the line. Everything became a secret, and I thought that was how you should live. Lying about everything. The mask I put on as a kid to survive was the funny lady. Then the funny person all of a sudden became harder to do without substances. Substances let me keep the mask on longer. Until it doesn't work anymore and you're just a mess.
Somewhere along the line I knew there'd be girls, visions, everything; somewhere along the line the pearl would be handed to me.
In my view the bundle theorist should say that when a bundle is located somewhere, there is an 'instance' of the bundle there. The instance is entirely constituted by the universals of the bundle. But the bundle and the instance are two distinct entities. Bundles of universals can be multiply located, but their instances cannot, and particulars are instances of a bundle of universals.
Somewhere along the line, a concert became a variety show. It was no longer enough for four dudes to play together in front of some guitar amps. Costume changes, an army of dancers, and Broadway theatrics suddenly became standard for a 'concert.'
Woody Allen likes to do a lot of master shots. He likes to get the whole thing in one take, and so you could be going along doing a scene, and then the next to last line, all of a sudden, you stumble, and you have to go back to first base.
Somewhere along the line, music became 'content'... It's my full intention to bring it back to music again! I believe in the power of song.
Part of the issue around communal land, which became a matter of controversy, is that we are saying that this land must go back to communities. Not chiefs and traditional leaders.
Of course, here's the weird part. After I fought my dad, all of a sudden we're buddies now. Like he's my friend now, we start hanging out. But we're still the same people. So we'd go out on Sunday, you know, and just be hanging out, then he'd, like, pick a guy, and we'd just go beat the crap out of that guy as a team. Memories, huh?
Every film you're commissioned to write is all about an arc; usually, the arc is that the world creates a change in the character, usually for the better. To not have an arc, the messages and ideas in the film became more prominent.
The picket line is the best place to train organizers. One day on the picket line is where a man makes his commitment. The longer on the picket line, the stronger the commitment. A lot of workers think they make their commitment by walking off the job when nobody sees them. But you get a guy to walk off the field when his boss is watching and, in front of the other guys, throw down his tools and march right to the picket line, that is the guy who makes our strike. The picket line is a beautiful thing because it makes a man more human.
At the core of everything I do, is not my ambition but my desire to make music. Somewhere along the line I stumbled onto something that was bigger, different than anything I had ever imagined, which was actually being involved with other people. I just don't live the average artist's life.
I remember that if you went down to the Crucible or other snooker tournaments it was all the snooker writers, and then all of a sudden when the game became popular on television it wasn't only snooker writers: it was what we called special correspondents.
I came to America to become an architect. And somewhere along the line while I was still in school, I was lured into theater, and that's how I became interested in theater. My first play was something called "A Banquet for the Moon." It was a weird play.
I came to America to become an architect. And somewhere along the line while I was still in school, I was lured into theater, and that's how I became interested in theater. My first play was something called 'A Banquet for the Moon.' It was a weird play.
Land taxes is the thing. They got so high that there is no chance to make anything. Not only land but all property tax. You see in the old days, why the only thing they knew how to tax was land, or a house. Well, that condition went along for quite awhile, so even today the whole country tries to run its revenue on taxes on land. They never ask if the land makes anything. "It's land ain't it? Well tax it then."
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