A Quote by Greg Rucka

Every writer has characters that they become attached to and that they feel very strongly about. — © Greg Rucka
Every writer has characters that they become attached to and that they feel very strongly about.
The first act of insight is throw away the labels. In fiction, while we do not necessarily write about ourselves, we write out of ourselves, using ourselves; what we learn from, what we are sensitive to, what we feel strongly about--these become our characters and go to make our plots. Characters in fiction are conceived from within, and they have, accordingly, their own interior life; they are individuals every time.
What I'm mainly interested in is not having women characters that have to be perfect, obviously. That's something I feel strongly about and have that in every single thing I've ever done.
I think that for every artist, it's very important to have an output and to feel very strongly about the music you're producing.
Oh, I love labels, as long as they are numerous. I'm an American writer. I'm a Nigerian writer. I'm a Nigerian American writer. I'm an African writer. I'm a Yoruba writer. I'm an African American writer. I'm a writer who's been strongly influenced by European precedents. I'm a writer who feels very close to literary practice in India - which I go to quite often - and to writers over there.
I feel very strongly as a writer and as a director it is not my job to crush the audience's imagination.
I feel very strongly about dresses on every level - a dress feels like underpinning.
When you feel so strongly about something and other people feel equally strongly, you have to feel stronger about it in order to succeed.
No writer besides Shakespeare has created more memorable characters attached to vices and virtues. In even their least sympathetic characters, one senses a kind of helplessness to passion quivering between the poles of good and evil.
When you're playing a character in a book, there's already a lot of pressure because all of the millions of people who have read the series have been able to envision and become very attached to the characters.
Clients become very attached to the fitter who they feel understands them.
The characters created cannot just be a mouthpiece for the writer. When you look at a piece of writing, and it's genuine and it doesn't feel like every character is just a mouthpiece for the writer, but that they've been created in such a way that they're expressing an idea that a writer wants to get across, that's when a story succeeds.
What's most important is to create an atmosphere that's real, providing characters the audience can root for. Once they become emotionally attached, that's the secret in building a show. The audience can see themselves in these characters, and they respond to the stories.
Kids feel so strongly about what's going on today and what's happening to the world, and that's very inspiring. I feel more hopeful than ever before about the future.
By conversing with the mighty dead, we imbibe sentiment with knowledge. We become strongly attached to those who can no longer either hurt or serve us, except through the influence which they exert over the mind. We feel the presence of that power which gives immortality to human thoughts and actions, and catch the flame of enthusiasm from all nations and ages.
I don't let myself believe in writer's block. I feel very strongly writing is habit as much as an art or a craft. And if you write crap, you're still writing.
I strongly believe that the art of the novel works best when the writer identifies with whoever he or she is writing about. Novels in the end are based on the human capacity, compassion, and I can show more compassion to my characters if I write in a first person singular.
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