A Quote by Greg Rucka
We wanted to talk about death in the DC Universe, and how some people go to get a pass and come back, and some people didn't. That opened up a whole other topic about legacy. We wanted to talk about what was required to be a hero, what were the elements of true heroism?
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There were some things I wanted to talk about. I wanted to talk about depression in public, I wanted to talk about being in the shadow of people I've dated and people I worked with publicly.
I was being trained because I wanted to be a preacher like my father. I wanted to talk about Moses; I wanted to talk about God... I wanted to talk about the apostles, the disciples and all that.
You have to do stand-up quite a long time before you learn how to do it well. It was probably years before I was confident enough in stand-up that I was able to talk about the things I wanted to talk about, the way I wanted to talk about them.
It was probably years before I was confident enough in stand-up that I was able to talk about the things I wanted to talk about, the way I wanted to talk about them.
It's hard to talk about childhood trauma. It's hard to talk about depression. It's hard to talk about anxiety. And we thought - I wonder if we just open up our subconscious and the things that we think about and hide from people every day and just let them come out in some of these lyrics.
Oh, my other goal was that I wanted to talk about this area and this time in history. I wanted to talk about growing up in Oakland, a white kid, from this kind of generation of broken homes and listening to hip-hop.
I wanted to talk about certain things in a way that I hadn't seen them talked about. There is vast literature about caring for people romantically, about caring for children, but there's not a lot about caring for older people, eldercare. I was searching for a book that would speak to me, that wouldn't be sociological, that would offer some insight, some solace.
What happens at the average church or synagogue or mosque is that I don't know many priests or ministers or rabbis who say to their congregation, 'go home and talk about the religion at the kitchen table with your kids...talk about God, talk about what this is all about.' They say in general, come back on the weekend, we'll talk to you about it.
I get an idea about something. I just start thinking about it, and then I get onstage and I talk about it, and then I think about it some more and talk about it some more, and think about it some more and talk about it some more, until it starts to take a shape.
The part of the strangeness of coming back from the war is the way we talk about it. We try to have a discussion about the war that doesn't turn into a discussion about one political side or the other. I wanted to reach out and talk to people about it through fiction, the way a narrative can draw someone in and ask them those questions.
. . . the whole idea of WHAT HAPPENED WAS.... is not about dating. It is more about people who are not committed to who they are or are indifferent about their life in general, which is how I felt about myself when I wrote it. I had turned 40 and I was unhappy and I wanted to write about that. Dating just became the framework. . . . I like all those fringy, weird, nonverbal, quiet, tiny little things, those powerful interchanges between people, things that go unsaid, that people know are happening all the time but nobody wants to talk about. That's what I want to make movies about.
People think it's not necessary to talk to another human being, and that's the part of it that I don't like. Some people will go up and want to talk to you about the music, which is cool; they're enthusiastic about the songs and know stuff about it, or, 'I really like your music. Nice to meet you.'
We should have apologized back then and made sure we had a rule in place and gone forward. ... Steroids and all of that was a part of history. But it was a topic that everybody wanted to avoid. Nobody wanted to talk about it.
You know why you have to give [Donald] Trump credit, whether you don't like him or not? He opened the door.Now there's a lot of talk about immigration. That's good. Nobody wanted to talk about it.
You know, you can talk about race, you can talk about sex, you can talk about your biopsy. But when you get into class, people kind of clench up.
It's funny, because in 1970 I met the Beatles quite by a chance at a party. It was the Beethoven bicentenary, and I was then also playing the Beethoven Sonatas. And that's all they wanted to hear about - I wanted to talk about them, and all they wanted to talk about was Beethoven.
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