A Quote by Greg Sestero

'The Disaster Artist' book is the peak of my career in many ways, but there's something so rewarding about creating something from scratch. — © Greg Sestero
'The Disaster Artist' book is the peak of my career in many ways, but there's something so rewarding about creating something from scratch.
I love writing novels, but I'm very fearful about writing something from absolute scratch. I kind of don't have the time to write something from scratch. I think when my knees completely give out, and I can't make films anymore, I would try to write novels from scratch.
People know that when they watch an Ainsley programme or get an Ainsley book it's going to be something that is approachable and something that is achievable and ultimately something that is rewarding.
I can get inspired just off the energy of Soulja Boy, just his energy, you have to take something from an artist. Everyone may not look at an artist the same way, but it's something that artist is doing that's creating his success.
I think the idea of creating a character from scratch, one that has not been done in a novel or an existing story, is immensely exciting, terrifying and ultimately rewarding.
Many times when you're a tourist you can just stay on the surface and not really experience the place you're visiting, which will probably leave you disappointed. Everywhere has something interesting; it's just about being curious enough to find it and scratch where you have to scratch and stay longer and walk further.
The professor leaned forward. “But there’s nothing more profound than creating something out of nothing.” Her lovely face turned fierce. “Think about it Cath. That’s what makes a god—or a mother. There’s nothing more intoxicating than creating something from nothing. Creating something from yourself.
I figured out in my thirties it was about 'what can I contribute'? And what I figured out about that is creating something from scratch, and connecting it to people.
Songwriting is like going to church. I'm connecting to something, and it's rewarding in really important ways. I don't need to share it with anyone to feel good about it.
I learned with 'The Disaster Artist,' when I was writing the book, the audience will follow you if you really try to do something different. The biggest thing is, you want to be genuine and try to surprise your audience with kind of a new direction.
There are so many ways to make a book or comic, but most involve doing something online.
Every time I'm in the studio, I always think of my professor in undergrad. He was like, "There are so many artists in the world. If you're going to be an artist, make sure you have something to say. Don't just be an artist and put out bullshit. Have something to say." I guess that would be my philosophy and something I think about all the time. Every day when I'm in the studio I hear him and I see him. I remember him saying it in class. So that's something that I always want to make sure I have: I'm saying something with the work.
The public so often want to freeze the artist in a moment in time when they were at their peak, and they want the artist to revisit it over and over again as if it was something authentic.
You think there's a rule book, in a way, until you realize there's absolutely no rule book, and you can use a red carpet to express something about yourself. There are so many wonderful designers in the world, and they create such wonderful things. Why go with something uninteresting?
He misses the feeling of creating something out of something. That’s right — something out of something. Because something out of nothing is when you make something up out of thin air, in which case it has no value. Anybody can do that. But something out of something means it was really there the whole time, inside you, and you discover it as part of something new, that’s never happened before.
Hillary Clinton will be a disaster for our country, a disaster in so many other ways.
My entire adult life has been devoted to family and career, each adding to the other in many rewarding ways. I have never felt that I had to set a pattern for my writing and teaching.
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