A Quote by Greg Sestero

The only reason I came to L.A. in the first place was to tell stories and make movies. Whatever way you can do that - if you can do that - at whatever level, that's rewarding.
I believe Korea is making the best movies. Only in Korea - you can do whatever you want to without any rating system or whatever. They can make world-class karate movies and make lots of money, which is very important.
Whatever games came my way, I tried to give my best, do whatever I could to win matches for the team, be it at the Ranji Trophy level, India A, IPL: this was always on my mind.
Our time here is magic! It's the only space you have to realize whatever it is that is beautiful, whatever is true, whatever is great, whatever is potential, whatever is rare, whatever is unique, in. It's the only space.
My order of priorities reflects the level of my commitment to Christ. Whoever or whatever is in first place, if it isn't the Lord Jesus, is in the wrong place.
When I was in Boy Scouts, back in the day, we'd tell stories around the campfire. That's why I love movies. It's literally you and your friends, telling stories around a campfire, whatever they may be.
There are so many fantastic roles, but the ones that have always drawn me to them are the loners who, for whatever reason, never quite fit in and knew it and had to find their own way. I've always been drawn to that, for some reason. I've always been drawn to that sad, isolated place, but what it produces in behavior is something else, entirely. For whatever reason, I'm drawn to these people. Essentially, I think what draws me is that they are survivors against rather considerable odds.
The only reason we find structure in stories is because it's there naturally in human interaction, and in the way that people tell stories.
There's one must in life: whatever job you do, wherever you are, whatever age you have, how much experience you have, you have to keep performing at the top level otherwise someone else will take your place.
Every player needs that one or two innings to get the confidence in whatever format to realise that he's good enough to be successful in whatever conditions or at whatever level.
It’s literally true, as Shakespeare said--all the world’s a stage. It wasn’t that way when I first got into the movies in 1924, but it is now. That’s why I find Hollywood newer and more exciting every day. Whatever you hear it’s still a place where a kid from Montana can jump on a horse, ride that-a-way, and keep right on going.
I think that the world of making movies and how movies get made has certainly changed and evolved over the years. So we're just trying to keep up with it and keep telling our stories in whatever way we can, by hook or by crook.
Coming from where I came from, the Midwest, in the era I was born, the '30s, movies were glorious fun - Bette Davis dying or whatever. But whatever they were, they were not serious.
Whatever comes from the brain carries the hue of the place it came from, and whatever comes from the heart carries the heat and color of its birthplace.
Comedy doesn't come easy for me. I've only done 2 movies that are really comedy-style films and I have to work at them. And they're just as scary in a way. I hate labeling all these things; comedy, love stories, dark drama, whatever.
Films, fiction, can encompass a whole global vision on a particular subject with any story, whatever it is. You can play the story in whatever country with whatever language in whatever style you want to tell the story in.
Laws protecting this right - whatever the level of the minimum wage, and whatever the Government chooses to call it - are only as strong as the threat of enforcement is both real and feared.
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