A Quote by Greg Sestero
Of everything with 'The Room' that came out of it, I feel like being able to write, and tap back into that passion, was something I'm really thankful for.
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For a long while, I found Parker impossible. He went away for 23 years. I tried to bring him back a few times, and I sort of figured out where he came from, why he went away, and why he came back. The thing that I have to tap into for Parker is in some way the outsider. If I can tap into the outsider, I can write about Parker, and if I can't, I can't.
For me, when I'm writing something really personal, I don't feel good about it. It's weird that people can connect to it and like something that came from a really crap place. You have to be quite brave to write about something that you honestly feel and think.
You can feel the drums, and you can feel the bass. So, being able to feel the music through the floor, it makes me feel like I'm a part of the band and not just the only person in the room who doesn't really understand what's going on.
There's no writers room, or any other writer involved. I write everything from beginning to end. Maybe it's just me not being able to let go of something, especially with 'Peaky.'
Being able to influence the outcome, being able to do something about it, to be able to stop the bleeding. You're not being useful if you're just standing there going "Oh, that's awful!" You're only useful if you actually do something about it and I think that goes for everything. If you actually do something about what's in front of you, then you are actually contributing and you haven't got time to be self-centred or sorry for yourself. You should be doing something about the person you really should feel sorry for.
Being of service is something that really makes me happy. Being able to tell young kids about something they might never have known without meeting someone with my experiences is what really what I feel it's all about. I feel that's the only way that you get fulfillment out of life.
I'm really thankful for Triple H and our chairman Vince McMahon because when I came back from my surgery I basically was like, 'I want to be the face of this company and I want to bring something to the table.'
I really loved ["The Love Affairs of Nathaniel P" by Adelle Waldman]. It's having a really hot moment. Unlike many hot books, it's actually really wonderful. I tend to have that reaction: I don't want to read it if everyone thinks it's cool. It was a really interesting insight into being young and male. Now that made me feel really thankful for my boyfriend and really thankful because he wasn't like that protagonist, but I know so many people who are like that protagonist.
When I'm naked, I really like to do push-ups. No. I think I really tackle it like everything else. If you're going to commit yourself to playing something, you have to be able to understand it. If you can understand it, then you can do it and go balls out with it. But, I've never been in a position where I've been like, "This doesn't feel right." I wouldn't do it, if it was that. I like the shock value of it. I think that, if you use it correctly, it's pretty effective, as long as I'm lit really, really, really well.
I'm thankful for a pair of shoes that feel really good on my feet; I like my shoes. I'm thankful for the birds; I feel like they're singing just for me when I get up in the morning... Saying, 'Good morning, John. You made it, John.' I'm thankful for the sea breeze that feels so good right now, and the scent of jasmine when the sun starts going down. I'm thankful.
The key to being a wonderful writer is not to write. You just get out of the way. Leave room for God to walk in the room. And when I write something that I know is right, I get on my knees and say 'thank you.'
Being involved in movies is my passion. What's gotten me off the mat is the sense of the child in all of us. I feel like the same guy as I did back in the mail room, but with more wisdom, from the depths of experience to the heights.
I think it's a really big deal to be able to meet people outside the context of something like a conference room or someplace where everything feels like it's formal talk.
I had little breakdowns and depression that would last for three days. I also started suffering from panic attacks. I used to get them when I was really young, but they came back. I'd be out having a drink, and then I wouldn't be able to breathe, would freak out, and I'd feel like my heart was going to stop.
I appreciate it everyday. I'm like, 'I can't believe this is happening to me.' I'm so thankful. I feel really lucky and really blessed. I remind myself all the time, because it can go as quickly as it came.
I feel with writing, so much of the time, I don't know how to tap in and be spontaneous and alive on a daily basis. So I don't write every day. I'm just not disciplined, and I can't be in the groove most of the time. I feel like I'm in the groove ten days a year or something. But with reading and research, I feel like I have this incredibly instinctive pleasure-driven process that ends up working out for me and inspiring me. It's almost like a maze, like I know eventually I'll hit the heart of my play if I read enough books.
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