A Quote by Gregg Allman
I said, other people can write songs, let's see if I can. So the first 400 or 500 wound up on the floor somewhere. Then I wrote one called Melissa.
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When I wrote my first film and then directed it and I looked at it for the first time on what's called an assembly, you look at this movie which is every scene you wrote, every line of dialogue you wrote and you want to kill yourself the minute you see it. It's like, 'How did I write something so horrible?'
When I wrote for myself before as an artist, I probably wrote about 15, 20 songs a year. I thought that was a lot. Then, when I first started writing for the people, I wrote, like, 65 songs in a year for two years in a row.
You don't write a book. You write a sentence and then a paragraph and then a page and then a chapter. Looking at writing 400 plus pages or seventy thousand odd words is incredibly daunting, but if you just focus on the immediate picture - say, 500 words - it's not so overwhelming.
Vivaldi didn't write 400 concertos; he wrote one concerto 400 times.
The way I write music for other artists is the same way I write music for myself. I'll pick up the guitar, and I'll write music, and if I don't use it, I have, like, 500 other songs. If I don't use it, I give it away.
When I first started, I wrote some songs with Linda Perry. She's so instrumental in a lot of artist's lives, listening to you and then helping you write songs that are you, that bring the most of what you are out, whereas a lot of producers might put their stamp on you. I gained confidence because I'm less of a straight-up, traditional vocalist.
I had my whole life to write a bunch of crappy songs and then play them in front of people and think, 'All right, that one out of these seven is really good; it's a keeper.' But on this second album, to be honest, I probably wrote about 50 songs where I was just trying to write a hit.
People started noticing my singing on YouTube, and then I came to L.A., and I lived on a studio couch. I wrote songs every single day with whoever I could write songs with.
I thought, 'OK, Melissa Gilbert is playing my mom, and I'm playing her old role - no pressure.' So I went up to Melissa and said, 'It's such an honor playing your daughter,' and she smiled and said, 'Oh, shut up.' I thought, 'Great, a normal person.'
I write the songs and hand it over to the world and see what happens. But the things that I've written for people that have been hits, I don't know that I would have directed them in the right path, but they definitely wound up on the right path.
I'm not bashing people who write songs that are just 'get on the dance floor and party party', I understand why people need those songs too, but I don't really write lyrics like that.
I think when you write songs, you write about people... People are the source of my material. And London is a wonderful place to be for people. So, the next time you're sitting in a park somewhere, and you see someone like me looking at you, don't phone the police. I'm just writing
I just love to play rock and roll. I love to write songs all the time
about what's up on these streets. I write songs about people getting killed; I write songs about people getting beaten up; I write songsabout people getting taken to jail by the police; and I also write songs about love and happiness.
I went to a psychologist friend and said if 500 people claimed to see Jesus after he died, it was just a hallucination. He said hallucinations are an individual event. If 500 people have the same hallucination, that's a bigger miracle than the resurrection.
I have a real soft spot for flying saucer songs and Frenkenstein songs. When I was a kid the first record I ever really liked was called "The Mummy", and the flip-side was called "The Beat Generation" which Richard Hell later re-wrote as "The Blank Generation". I thought it was the greatest thing I had ever heard. I didn't like Elvis much then, but I was very young. When I was a kid I used to play that monster all the time!
I like to write pop songs and the stuff I write is fairly poppy, so I thought maybe my lot in life was to write pop songs for people. It never felt right writing songs for other people to sing, though.
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