A Quote by Gregg Wallace
I have a very spartan flat in London, and when they see it people say: 'Why don't you make it more homely?' The reason is that it's just a place to sleep when I'm working.
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I see no reason why I should not live on indefinitely just as I have done, and on the whole I am more comfortable here than in Purgatory, a place that I imagine to be like the suburbs of London.
The same reason why we're doing music is the same reason why Motown did: to make the world a better place and to make people happy. The main message is, just have a good time.
Soccer can be very subtle; it's a very nuanced sport. If I happen to make things easy and people don't see it, that could be a reason why someone might stand out more than I do. But that's just the way I've grown up playing the game.
It's not uncommon to hear people say that the re-entry into their lives is very hard. A lot of actors say that the hardest thing about working is not working, because you go from one of the most structured environments in the world to a place of no structure. Maybe that's why you see someone go from movie to movie to movie.
I've noticed that once you leave London you do kind of become a bit more famous. People in London are a bit too cool for school. It's not so unusual to see someone from London in the street. But outside of London people are a bit more excited to see you and come out and support you.
I would say L.A. is more polite than London - it's a very careful place. People talk a lot in code.
When I had no place to live and I had no place to sleep - and I did sleep in the Metro - I held steadfast to the fact that I had a dream, a reason why I'm doing this... that it was bigger than this moment.
I think one of the London Film Festival strengths is that it's set in London but it's not about London. It's about the diversity of this city and it's about world cinema. And that's what London is - London is a place where its identity is always in a state of flux. So, this festival celebrates the way in which it is always changing. That's why London is a fascinating place and that's why the film festival is a fascinating film festival.
Having a background in doing printmaking and letterpress, I think that I became very interested in images that were flat and graphic. And my painting still today is very flat...American craft is like that too - the painting is very flat. And also the painting that you see on the storefronts, handmade signs, tend to be very flat. That's probably my biggest influence.
In London I'm out and about all the time. I walk everywhere, so people do recognise me and they've probably seen me before so they're not bothered anymore. But I think that's a good thing because if you try and remain mysterious people are surprised when they see you. With me, I think they're just bored of seeing me - but that suits me just fine because I like to live as much of a normal life as I can. That's why I love living in London. People are very respectful of your privacy. If they see you having a coffee in a coffee shop, they're not going to interrupt you.
L.A. can be a little bit daunting. It is great, but it is a very cutthroat area and industry to be in, so London feels a bit more homely for me.
I happen to be one of those lucky people who says that she's a working actor. And to always be working is very fulfilling and I'm just lucky because the opportunities just came up. And as an Asian American female actor, the opportunities have been furthering, have been widening all across the years. And I can say that there are many young people who see that the opportunities are expanding, as well as you can make it yourself.
I can totally understand why people say: 'I'm going to do this T.V. series so that I can buy a flat'. But you've got to see what's of value to you as an actor.
Some cynical people may see that the only reason I'm doing something more mainstream is part of a strategy to become more successful but I just see it as a bonus. It just happened... that's the way it is and there's an opportunity there and we're going to take advantage of it. I'd rather if I'm going to be working as hard as I've been working for the last two years - non-stop, solid, no personal life, no break - then I want what I've been working on to be as successful as possible. And I will take advantage of every opportunity that comes my way.
I'm very aware there are lots of other people who are just bright and working just as hard, with just the same dedication to make the world a good place.
For many people, the only reason to do anything is that it's best for them individually. And I think that's why planners have to be more realistic about devising policies so the stakeholders will say, "I see what you mean - that'll help me." I think expecting people to do the right thing for the right reason leads to a lot of failure in public policy.
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