A Quote by Gregory Benford

The earliest depiction of libertarian eugenics may have appeared in a science fiction novel, Robert Heinlein's 1942 tale 'Beyond This Horizon.' — © Gregory Benford
The earliest depiction of libertarian eugenics may have appeared in a science fiction novel, Robert Heinlein's 1942 tale 'Beyond This Horizon.'
I don't write science fiction. I've only done one science fiction book and that's Fahrenheit 451, based on reality. Science fiction is a depiction of the real. Fantasy is a depiction of the unreal.
There were four major 20th-century science fiction writers: Arthur C. Clarke, Isaac Asimov, Robert A. Heinlein and Ray Bradbury. Of those four, the first three were all published principally in science-fiction magazines. They were preaching to the converted.
The best writing advice I had was [in] ‘Heinlein’s Rules for Writers’ by (American science fiction author) Robert A. Heinlein. His first rule is that you must write, and I was already doing that, but his second rule is, ‘You must finish what you write,’ and that had a big impact on me.
As a fellow science fiction author, Heinlein largely raised me, and I resent it when some folks lazily dismiss Heinlein as a 'right winger' or even 'fascist.'
Science fiction is a literary field crowded with strong opinions, and no SF novelist delivered himself more memorably of his views - on politics, sexuality, religion, and many other contentious topics - than Robert Heinlein.
I loved reading all kinds of books, but I particularly loved books like 'Red Planet' by Robert Heinlein, which very few people read anymore but is a wonderful science fiction story.
The traditional route to success in science fiction is by making a name for yourself in short fiction, so people who read science fiction magazines will recognize your byline on a novel.
Science fiction is where I started out, really. When I was a kid, I was a complete addict of science fiction. It was one of my earliest interests as a writer, and I've just taken a long time to circle back around to it.
The science-fictional motif of lethal, infectious information - bad memes - is a fascinating one, with an extended history. One of the earliest instances is Robert W. Chambers's 'The King in Yellow' from 1895. Chambers's conceit is a malevolent play: read beyond Act II, and you go mad.
I'm fond of science fiction. But not all science fiction. I like science fiction where there's a scientific lesson, for example - when the science fiction book changes one thing but leaves the rest of science intact and explores the consequences of that. That's actually very valuable.
There's a long relationship between science fiction and the 'novel of ideas,' and I think writers of science fiction are able to draw on that tradition to take risks, to constantly raise the level of their ambition.
There is a document in every novel in the world. Even in the most fantastic novel, even in science fiction, there is a documentary side. But, this side is not the crux of the matter. I don't think a novel's main donation, main gift, is the document. The document is there, but a novel goes beyond documentation. It goes into opening a new vista, opening a new perspective, showing familiar things in an unfamiliar way.
I've read science fiction my whole life. I never really dreamed that I'd be a published science fiction writer myself, but a short story I started years ago sort of demanded to be turned into a novel.
I like science fiction. Arthur C. Clarke, Philip K. Dick and Vonnegut, and I really like Margaret Atwood, 'The Handmaid's Tale.' And you know, so much of science fiction has to do with predicting what's to come, so I think that's really interesting.
I like science fiction. Arthur C. Clarke, Philip K. Dick and Vonnegut, and I really like Margaret Atwood, The Handmaid’s Tale. And you know, so much of science fiction has to do with predicting what’s to come, so I think that’s really interesting.
I tell people the first time I decided to write a novel I was in my mid-20s, and it was, 'Well, it's time to see if I can do this.' I basically flipped a coin to see if I was going to write science fiction or if I was going to do a crime novel. The coin toss went to science fiction.
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