A Quote by Gregory Benford
The thing that most critics miss about Faulkner is that his famous storytelling voice is, in fact, a standard Southern storytelling voice that is typical of the Gulf Coast - Mississippi, Alabama and so on.
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Like Hemingway and Faulkner, but in an entirely different mode, Fitzgerald had that singular quality without which a writer is not really a writer at all, and that is a voice, a distinct and identifiable voice. This is really not the same thing as a style; a style can be emulated, a voice cannot, and the witty, rueful, elegaic voice gives his work its bright authenticity.
Whenever I tell people in Berkeley, Calif., where I live, that I'm headed to the beach in Alabama, they are shocked. Most people outside of the Gulf Coast have no idea that Alabama has beaches - even though if you look at a map of Alabama, there is a part of it that looks as if it should belong to Florida.
My mother was from Mississippi, or is from 'Mississippi;' my father was from Alabama. He speaks about conditions in Mississippi and Alabama. They were really the poster children for the bad public laws that segregated, according to race, in our country.
Because there is less female storytelling, especially motherhood storytelling, there has been immense pressure on my storytelling to represent more people, and to do so in a sort of unrealistic way.
I am so proud to be partnering with Waterkeepers, who are the voice for the Gulf Coast's waters.
It's often lost in most Silicon Valley startups, the importance of storytelling when most people are thinking about they assemble their team and the critical functions that the team needs to be successful. Storytelling is normally not on the list.
The Alabama Gulf Coast Recovery Council is tasked with restoring and protecting one of our state's greatest natural resources, our Gulf.
There are times when the voice of repining is completely drowned out by various louder voices: the voice of government, the voice of taste, the voice of celebrity, the voice of the real world, the voice of fear and force, the voice of gossip.
When I think about Oz, when he was a teenager, I'm just reminded of what an excellent blues voice he had. He had a large voice. When we did the Aynsley Dunbar song 'Warning' and 'Black Sabbath,' his voice is so right. It's really round, and it has that pain from within in his voice.
Good storytelling doesn't have to be in the form of the classics. It doesn't have to be revered by everybody. In fact, to me, the best storytelling is not universally loved by every single person. I think you can water down the ethicacy of the work, itself.
I want to do a stripped-down album. That style is actually where my heart is - storytelling and just letting the voice and the lyrics talk for themselves. I still want to write the perfect song and sing it in the most honest, undressed way. But I feel like I have to gather more experiences and more layers in my voice. I have to live more to be able to tell this tale. So I'm saving my folk record. I have a feeling nobody will understand it.
Gossip is essentially storytelling: storytelling about people whom we know.
Well, I suppose I'm interested in ways of storytelling and in stories that are about storytelling.
I was invited to give the Freshmen Convocation at Florida Gulf Coast University on October 24, 2004. My book The Open Space of Democracy had been selected as one of the "common readers" for the university's 1,050 entering freshmen. On October 6, William Merwin, the president of Florida Gulf Coast, made the decision to "postpone" the convocation. He cited negative statements I had made in print about President Bush. If our colleges and universities are no longer the champions and protectors of free speech, then no voice in this country is safe.
We cannot have peace on Earth until we learn to speak with one voice. That voice must be the voice of reason, the voice of compassion, the voice of love. It is the voice of divinity within us.
The core cuisine of Southern food is established in the plantation South, within the world of slavery. To understand the plantation table, we must understand the relationship of enslaved people to Africa, to historical trauma, and their central role in food production. Their voice is the most poignant, expressive voice in Southern cuisine.
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