A Quote by Gregory David Roberts

Indian actors know how to shout with the eyes. — © Gregory David Roberts
Indian actors know how to shout with the eyes.
Indian actors, because of the format of our stories, need to be good actors, and be able to perform emotional sequences, do a bit of comedy, dance and singing, action, because all of this forms just one film. In many ways I'd say there are greater demands on Indian actors than there are on Hollywood.
On the whole, actors shout when they don't know what they're doing, trying to make an impact.
The actor has to have some degree of craft, along with the talent. No one tries to laugh except bad actors. No one tries to cry except bad actors. How a character hides his feelings tells us who he is. Most people don't know that, and most actors don't do that. Therefore, there are a lot of actors who put me to sleep, that are considered good actors, but they're predictable and boring. I know how the scene is going to end before it ends.
I did 'Gandhi' but post that how many roles could be generated in a Hollywood film for an Indian face? Similarly how many roles can be generated to accommodate Hollywood actors in Indian films?
Be proud that thou art an Indian, and proudly proclaim, "I am an Indian, every Indian is my brother." Say, "The ignorant Indian, the poor and destitute Indian, the Brahmin Indian, the Pariah Indian, is my brother."
As a director, you have to know what actors are doing. You're the one telling them what to do. The actors' job is to come prepared to the set, but sometimes, if they're beginning actors or people who are non-actors, you have to teach them how to act.
I am an Indian, and I know what India is. I know Indian culture. I know Indian constitution and democracy.
Cinema became what it is today when technology allowed movie directors and actors to develop emotion. You can see into the eyes of the actors and know when they are going to cry.
I know he's coming by this sign, That baby's almost wild; See how he laughs and crows and starts — Heaven, bless the merry child! He's father's self in face and limb, And father's heart is strong in him. Shout, baby, shout! and clap thy hands, For father on the threshold stands.
There are actors who make no decisions about how to play something until they're in the moment, looking into their scene partner's eyes. So they're completely available for whatever happens. And those are actors who tend to avoid getting into patterns.
Eyes Tell Stories But do they know how to craft fiction? Do they know how to spin lies? His eyes swear forever, flatter with vows of only me. But are they empty promises? I stare into his eyes, as into a crystal ball, but I cannot find forever, only movies of yesterday, a sketchbook of today, dreams of a shared tomorrow. His eyes whisper secrets. But are they truths or fairy tales? I wonder if even he knows.
Look, a lot of directors were actors, even if they were unsuccessful actors which I think is helpful. I think it's a really helpful thing for a director to have experienced that. It helps you know how to talk to actors and how to get what you need from them.
Actors make bad lovers. Their most important kiss is for the camera. Not in a superficial way, in a really deep way. They can only give everything if they know someone is going to shout cut!
I'm sure there are directors who don't like to work with actors and don't know how to be sensitive to actors.
Indian standards of artistry, and Indian standards of humanity, and Indian standards of love, and of family, devotion, commitment, stand for me as the standard for how one should behave.
When I venture out to eat, I like to go to places with food that I don't know how to make. So my favorites are Japanese and Indian. Indian food has so much layering of flavor, and the dishes go together so harmoniously.
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