A Quote by Gregory Harrison

Brian and I got cast out of that show into Trapper John, M. D. — © Gregory Harrison
Brian and I got cast out of that show into Trapper John, M. D.

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I got so lucky on my 'Red Widow' cast. It was just the universe looking out for me that I got those actors. It's a big ensemble cast, a very international cast. I don't know how that happened.
You need to look hot now that you've got three guys giving you the eye."" Three?" "Sweet blue-eyed blond trapper... Muscled blond trapper number two, who buys you cards... And that gorgeous, 'Where have you been all my life' dude with the raven-black hair and dark eyes.
The first audition I did was for 'Trapper John, M.D.' I was surprised to get the part, and then to have it last for seven years was a bonus.
For a while, I couldn't get arrested in television because everybody thought of me as that guy on 'Trapper John.' So I thought, 'Great, I'll come out here to New York and do some theater, and when they get tired of me, I'll do something else.'
Brian was the oldest, I was in the middle and Carl was the baby. I was the troublemaker. Brian got great grades and Carl got the kind of grades I did. I failed everything. I was too busy fighting and running wild.
The likelihood of John having an affair with Brian Epstein is absurd, and actually impossible. Even when Phil Spector once tied up and threatened male sex against him, John was terrified.
What it is basically, if you go to a gun show, and there's somebody out there in the parking lot, and they're getting out of their car, and they've got an A-15 on their shoulder, or... John Q. Public wants to sell a handgun or whatever, then there's no background check.
John Sullivan's scripts were always very funny, and cast and crew got on well.
I got dared to audition for a play by my best friend Paul. He got cast in 'Hamlet,' and I got cast in 'Prelude to a Kiss,' and that changed everything.
A trapper but this rappin got me going places you'll never go!
I definitely look like a toddler. I feel comfortable and I have a lot of fun out there [John Mulaney Show]. And if I were to be extremely egotistical, I'd say I got a tiny bit better.
I was under contract with Walt Disney at the time. I was co-starring in my second season of a show called, Texas John Slaughter. The Andy Griffith Show hired me to play Thelma Lou. I only worked when they called me. I would do an episode in two days and I got paid $500. After all the federal, state and local taxes were taken out and then my agent's commission I only got $200 some dollars per episode.
You don't often get what you ask for, and I got exactly that. I got a show that was on cable, that I could shoot five months a year and go be mommy the rest of the time, and be with a cast and crew that I really, really love, adore and respect. I got all of that.
I got an email from Nick [Kroll] that he and John [Mulaney] were looking to put on the stage show with two of their characters from Kroll Show and could I help at all. And they were doing it [off-Broadway] at the Cherry Lane and they had been performing it at UCB, just sort of testing it out. I worked on it for a little bit downtown and it was a great experience.
There were a lot of lessons of production to be learned. On the page, the biggest thing you learn on any TV show is how to write to your cast. You write the show at the beginning with certain voices in your head and you have a way that you think the characters will be, and then you have an actor go out there, and you start watching dailies and episodes. Then, you start realizing what they can do and what they can't do, what they're good at and what they're not so good at, how they say things and what fits in their mouth, and you start tailoring the voice of the show to your cast.
Brings [O'Brian's] achievement to a new height....Such is O'Brian's power to possess the imagination that I found I was living in his world as much as my own, wanting to know what happens next. That is the real test. Any contemporary novelist should recognize in Patrick O'Brian a Master of the Art.
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