A Quote by Gregory Harrison
I have a big family and had to move them all from the coast of Oregon to New York three times for the workshops and for the actual production itself, which had about a four month development rehearsal schedule.
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'Little Princess' was the first big movie that I did in America with big stages where we had kind of a different schedule to work. We had a great production designer, Bo Welch, and we had time to think about the movie in pre-production.
I think I had four concussions throughout my career that were diagnosed, and I guess that I've had seven more. But the fact that three of them came in a four month span when I was making a comeback in 2004 is a little bit scary.
Holiday drinking in my family happens about as often as Sarah Palin is spotted reading the 'New York Times.' Neither of my parents are big drinkers, probably because they each had a parent that was.
I've been back in New York a year and a half now. Before that I was on the West Coast for five years. There's no comparison between the two. You hear things in New York you don't hear anywhere else. Unless these guys go out. Quite a few make it out to the Coast. Of course, you can't stay in New York for ever. You have to move.
There were eleven publishers in New York City, and when it was all over, I think it went down to four or five, and then finally just the three of them, the Big Three.
In 1998, Vanity Fair asked me to write a big piece for them on the 50th anniversary of the New York City Ballet. My life, to a great extent, had been spent at and with the New York City Ballet, and I decided to try it. It was very scary, writing about something I loved so much and had such strong opinions about.
I knew I couldn't live in America, and I wasn't ready to move to Europe, so I moved to an island off the coast of America - New York City... It was tolerant. It was a place that tolerated differences and could incorporate them and embrace them, which was what America was supposed to be about and wasn't.
I have to work hard and wear pants. I've worked really hard these last years, and since everything is coming together at the same time, I had to move the play back. I'm kind of in love with my theater agent. I'm a true naïve about the theater, a total innocent. He says to me, have you ever been to a rehearsal room? Do you realize you are opening at the Public in New York? You do understand that the audience will be New York theater people?
Earlier I had been in New York, which was my first time to New York, and I got booked in the Baby Grand up in Harlem there. I was booked there for a week; they kept me there for about a month. That's where Doc Pomus and myself became very close friends and start running together around town and what not.
I am more excited about 'Divinity of Doubt: The God Question' than any other book in my entire career, and I've had seven New York Times bestsellers, three of them reaching number one.
Everything I learned and didn't do in New York I would put into place here in the London West Hollywood. It's fascinating, when you look at the critics' reviews, and we had a great one in the New York Observer and all that, and then the New York Times came and it was a devastation; two stars out of four. They said that I played safe because it wasn't fireworks. Then they judged the persona over the substance that was on the plate.
I did a lot of small black-box theater in New York when I was starting out. I'd get a group of actors together to do workshops and readings. And I ended up directing three or four productions.
I would stay two years in San Francisco, then move to New York in the summer of 1991, for the love of a man who lived there. When I arrived in New York, I had a job waiting for me, courtesy of a bookstore I'd worked at in San Francisco, A Different Light. They had a New York store as well, and arranged an employee transfer.
I'm a New Yorker, and working in New York was divine for me. I loved working there and going to work there, which I've been able to do three or four times in my career, and I just love it. It's my favorite.
I've been on projects before where there's no rehearsal, and you walk in on set and that's literally the first time you've ever played the character, and then I've had times where there's been three weeks of rehearsal. I like both.
I took part in a theatre festival in Massachusetts two summers after I graduated from college. Then I was in Los Angeles thinking: "I'm going to go to New York." I'd decided that I would not have a chance of a film career, so I was about to make the move. I bought a plane ticket and found a place to live in New York, packed my bags and of course the universe "told me" that I was not meant to go. Suddenly, a week before I was supposed to leave, I had three job offers and one of them was my first movie.
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