A Quote by Gregory Hines
I can remember feeling very angry, and saying no! I can do it myself! From that point of view it was very emotional for me to get myself to the point to sit in the chair and be 'up'.
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I'm very sensitive. It's always been something I'm very in tune with. I am very emotional. Sometimes to the point of where I just want to hide away, because I can't get a handle on myself.
This is a very superficial job. I sit in a chair for two hours and get hair and makeup done and talk about myself in interviews. That's a very vain thing to do. And I do get caught up in it sometimes.
Don't get me wrong - I love Jason Kidd. He's a great point guard (But) how am I comparing myself to him when I think I'm the best point guard to play basketball? That doesn't make any sense. I mean, how can I sit here and compare myself to somebody if I already think I'm the best?I'm telling you what it is: I know I'm the best point guard in the NBA. I don't need anybody else to tell me that. When I go on the basketball court, if I think about what you're all saying, I'll lose my mind.
I'm very physical. When I'm writing, I'm playing all the parts; I'm saying the lines out loud, and if I get excited about something - which doesn't happen very often when I'm writing, but it's the greatest feeling when it does - I'll be out of the chair and walking around, and if I'm at home, I'll find myself two blocks from my house.
I would describe myself as emotional and highly strung. If something upsets me, it really upsets me. If something makes me angry, I get really angry. But it's all very upfront. I can't hide it. I'm also loyal and I hope I'm fun.
At one point, when I didn't make the 2007 World Cup squad, I was very, very frustrated. Then I became very hard on myself. Whenever I used to go to the nets, or when I trained in the gym, I was very hard on myself. I couldn't sleep; I used to think a lot. Very, very desperate to make a comeback.
You know the first time I sat in the chair I felt anything but up, it was very emotional for me. I had a chair in my hotel room, a chair at rehearsal, and I was trying to spend as much time as I could in the chair.
Words are very much my thing. I'm very picky and choosy with them. So, I kind of edit myself to the point of, almost stumping myself, sometimes.
I am very harsh on myself. I can point out a list. My nose is very strange. I have a very round face. I sound so ungrateful. Obviously I'm being hard on myself. Whether it's body dysmorphia, or whatever it is, I can always find something wrong.
Bypasses are devices that allow some people to dash from point A to point B very fast while other people dash from point B to point A very fast. People living at point C, being a point directly in between, are often given to wonder what's so great about point A that so many people from point B are so keen to get there and what's so great about point B that so many people from point A are so keen to get there. They often wish that people would just once and for all work out where the hell they wanted to be.
Very often at the end of 'The Sopranos' you get the feeling that its not under control, you should be very worried, and life is kind of really, really messed up at lot of times. It leaves you feeling very disconcerted. That was kind of the point of it.
I quite like it to be risky. I'm not ready to sit down in a chair with my name on it yet. I've arrived at that point in the art world where there really is a chair that you sit in.
My own view of myself was that I was small and innocuous, a marshmallow compared to the others. I was a poor shot with a 22, for instance, and not very good with an ax. It took me a long time to figure out that the youngest in a family of dragons is still a dragon from the point of view of those who find dragons alarming.
Everybody you work with sees what you're doing from a different point of view, a very specific point of view. So, if someone is lighting, they're seeing it from that point of view. A production designer is seeing it from the placement of furniture that tells you about the character. Everything that goes into the room should tell you about the person who lives in that room.
I have skipped from style to style from film to film, and I love doing that because it's given me the ability to free myself from the past. Perhaps one of the worst feelings that I can have is the feeling that I'm locked in, like a prisoner of myself, which is something we all feel at some point in our lives. So part of making those stylistic jumps is just to free myself up-to get away from the old or the old Oliver Stone.
But every point of view is a point of blindness: it incapacitates us for every other point of view. From a certain point of view, the room in which I write has no door. I turn around. Now I see the door, but the room has no window. I look up. From this point of view, the room has no floor. I look down; it has no ceiling. By avoiding particular points of view we are able to have an intuition of the whole. The ideal for a Christian is to become holy, a word which derives from “whole.
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