A Quote by Gregory Maguire
The eye is always caught by light, but shadows have more to say.
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I like to say that lighting is about taking the light away. I often like to use the shadows more than the light.
What the art historians had forgotten is that in Chinese, Japanese, Persian, and Indian art, they never painted shadows. Why did they paint shadows in European art? Shadows are because of optics. Optics need shadows and strong light. Strong light makes the deepest shadows. It took me a few years to realize fully that the art historians didn't grasp that. There are a lot of interesting new things, ideas, pictures.
For human words are like shadows, and shadows are incapable of explaining light and between shadow and light there is the opaque body from which words are born.
Listening is active. It's like vision. It's like the idea of the eye projecting light, which I've heard is what children and infants say when they're asked to explain vision - that the eye projects light, rather than just receives it.
The artist does not see both eyes alike. There is always 'the eye' and the other eye... It adds life and plasticity to the drawing if the eye in the light is darker than the one in the shadow. It gives the head vividness.
Even in art, there is no light without shadows, and no shadows are cast without some light. Even the shadow of Adolf Hitler is accompanied by some light.
You choose to shine with the light of your own divinity, or you hide it with the shadows you create in your mind. You must choose where to live -in the light or the shadows. The most powerful tool you have is your power of choice.
The thing about shadows is that they're not all darkness. You need to have light to have shadows. So just look for it.
Men throw huge shadows on the lawn, don't they? Then, all their lives, they try to run to fit the shadows. But the shadows are always longer.
For me this world was neither so high nor so low as the Church would have it; chequered over with its wild light shadows, I could love it and all the children of it, more dearly, perhaps, because it was not all light.
Light has called forth one organ to become its like, and thus the eye is formed by the light and for the light so that the inner light may emerge to meet the outer light.
Light in the heart has an interesting phenomenon. When you look at this world from here, now, light has shadows because light comes from a source. But, the same light inside the heart, which I've spent so much time looking at and so have other people, has no shadow because the light appears to come from everywhere.
It's all trotters in Sweden, so that's what's always caught my eye.
Very great charm of shadow and light is to be found in the faces of those who sit in the doors of dark houses. The eye of the spectator sees that part of the face which is in shadow lost in the darkness of the house, and that part of the face which is lit draws its brilliancy from the splendour of the sky. From this intensification of light and shade the face gains greatly in relief and beauty by showing the subtlest shadows in the light part and the subtlest lights in the dark part.
I love eye shadows that are shimmery and playing with colors. There's just more you can do with your eyes.
Sin is to a nature what blindness is to an eye. The blindness of an evil or defect which is a witness to the fact that the eye was created to see the light and, hence, the very lack of sight is the proof that the eye was meant... to be the one particularly capable of seeing the light. Were it not for this capacity, there would be no reason to think of blindness as a misforture.
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