A Quote by Gregory Maguire
There were more ways to live than the ones given by one's superiors
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In some ways England is more liberal than France, but I also find it more intrusive. But when you go abroad you have to accept the ways of where you live. I have to respect that.
I was given the opportunity to write the kind of book that I wanted to write, rather than one that catalogues where I sang and what I sang and what I wore. I wanted to write a book about an American family, the family that has produced me. The longer I live, the more I realise the incredible support and love we were given as children.
The mission of the Gestapo expanded steadily as from 1933 onward, "political criminality" was given a much broader definition than ever before and more forms of dissent and criticism were gradually criminalized. The result was that more "laws" or law-like measures were put on the books than ever.
There are more ways of killing a cat than drowning it in butter; but this is the sort of thing (as the proverb indicates) we overlook: there are more ways of outraging speech than contradiction merely.
There was a reason these boys were still alive, though. Something made them stronger than the other kids, the ones who had died in the early days, who had simply lain down and given up, unable to cope with the terrible things that were happening in the world. These boys were survivors. The will to live was stronger than any other feelings.
The mind, whatever else it is, is a constant of everyone's experience, and, in more ways than we know, the creator of the reality that we live within... Nothing is more essential to us.
People who lived in the 1920s and '30s and '40s were not so different from us. In some ways, they were probably better citizens than we are. They had longer attention spans, for example. Educated people tended to read a bit more than we did.
God has done more than I could ask or even imagine on more occasions than I could ever recount. His ways are higher than my ways. My ideas simply cannot compete with his.
Thousands of men breathe, move, and live; pass off the stage of life and are heard of no more. Why? They did not a particle of good in the world; and none were blest by them, none could point to them as the instrument of their redemption; not a line they wrote, not a word they spoke, could be recalled, and so they perished--their light went out in darkness, and they were not remembered more than the insects of yesterday. Will you thus live and die, O man immortal? Live for something.
GOOD AS NEW was born out of the idea of writing a play where the stakes were high and the collisions were of a verbal nature. Also I wanted to write a play where people were smarter than I was, and more alive than I feel normally. I became interested in the idea of characters who would surprise me. I guess one could argue that nothing comes out of you that wasn't within you to begin with, but maybe there are ways to trick yourself into becoming more an observer or an advocate for the characters.
Men are forever eager to press drink upon those they consider their superiors, hoping thereby to eliminate that distinction between them.... And women, when confronted by superiors, substitute for drink the crippling liquor of their sex.
If we're going to save the planet, people are going to have to live in ways that don't require so much energy and don't create as much waste. The only way to do that is to live more densely than Americans are living right now.
The privileged Victorians who did most to improve the lives of the poor were not ashamed of their pious intent: they were superiors seeking to help inferiors.
Life is a terminal condition. Were all going to die. Cancer patients just have more information, but we all, in some ways, wait for permission to live.
We live in a world in which we are able to communicate very quickly in many different ways, and yet we find communicating more difficult than ever. When in fact we need communication more urgently than ever, because the enemies that threaten us are universal: drugs, illiteracy and crime. We have to fight against them together.
'Teen Vogue' is so much more than just a magazine. It's so much more than just a website. It's so much more than social. It's really about the audience, and so we're going to continue to innovate and continue to find new ways of reaching this audience in meaningful ways.
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