A Quote by Gregory Maguire
That's the real power of art, I think. Not to chide but to provoke challenge. Otherwise why bother?
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If you want to provoke, you should provoke someone who is stronger than you, otherwise you are misusing your power.
If the playwright knew every little thing about his play, why bother? There must be discovery all the time, otherwise why bother to do it?
Art does not exist only to entertain, but also to challenge one to think, to provoke, even to disturb, in a constant search for truth.
God is the one goal of all our passions and emotions. If you want to be angry, be angry with Him. Chide your Beloved, chide your Friend. Whom else can you safely chide? Mortal man will not patiently put up with your anger; there will be a reaction. If you are angry with me I am sure quickly to react, because I cannot patiently put up with your anger. Say unto the Beloved, "Why do You not come to me; why do You leave me thus alone?" Where is there any enjoyment but in Him? What enjoyment can there be in little clods of earth?
You don't do characters that are the same as you, otherwise why bother to act?
I like people that challenge their art, not only in the purist way, but also in terms of how they could provoke and make something different.
The book Forest Dark wants to provoke questions about what is reality and why are we so given to believe that reality is firm and unbendable. There's a whole host of questions that the book is asking about that. Why do we believe that the world is only one way and as we see it? Why are we not open to the ways in which it might be otherwise.
Art should walk a tightrope. That's what art should be. Art should be dangerous. You can't be scared to say something with it. People love to talk about how comics are real art and real literature, so why not use these characters to talk about real things, even if it is dangerous?
A lot of writers do think of their characters as living beings. I know that's the way people think. That's why I try to make them real in a certain way, because otherwise people won't read them. It's fine if some readers think of them as real. It's just not the way that I think of them.
That's the challenge you take as a player, coach, whatever... executive... that you're gonna have to perform at a high level, whether that's by luck or whatever, by design, it has to get up there, otherwise it's not gonna be the most pleasant experience, but it's a challenge. And I think everybody would love a challenge like that.
Feminist art is not some tiny creek running off the great river of real art. It is not some crack in an otherwise flawless stone. It is, quite spectacularly, art which is not based on the subjugation of one half of the species.
Why do most great pictures look uncontrived? Why do photographers bother with the deception, especially since it so often requires the hardest work of all? The answer is, I think, that the deception is necessary if the goal of art is to be reached: only pictures that look as if they had been easily made can convincingly suggest that beauty is commonplace.
First, perseverance trumps talent. Second, do what you want to do, otherwise why bother? Third, be ethical; it might rub off on others. Fourth, don't give up.
I don't just want to sing about simplistic things all the time. It's good to have a mix of songs that have a real depth, and that provoke and challenge people, and then songs that are fun and people can enjoy.
The art of writing history is the art of emphasizing the significant facts at the expense of the insignificant. And it is the same in every field of knowledge. Knowledge is power only if a man knows what facts not to bother about.
I think art is the only political power, the only revolutionary power, the only evolutionary power, the only power to free humankind form all repression. I say not that art has already realized this, on the contrary, and because it has not, it has to be developed as a weapon, at first there are radical levels, then you can speak about special details.
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