A Quote by Gregory Maguire

No," she cried, "no, no, I'm not a harem, I'm not a woman, I'm not a person, no. — © Gregory Maguire
No," she cried, "no, no, I'm not a harem, I'm not a woman, I'm not a person, no.
She cried for the life she could not control. She cried for the mentor who had died before her eyes. She cried for the profound loneliness that filled her heart. But, above all, she cried for the future ... which suddenly felt so uncertain.
I grew up on comics in the 1960s era, when 'Wonder Woman' was rather silly. She was an interchangeable female character plagued by bad stereotypes. She cried at the drop of a hat, she was worried about how she looked, all of that.
She put her head down on the table and cried all the tears that she knew she should have cried in the past year and a half. But they weren't ready then, they were now.
She cried for herself, she cried because she was afraid that she herself might die in the night, because she was alone in the world, because her desperate and empty life was not an overture but an ending, and through it all she could see was the rough, brutal shape of a coffin.
An inconstant woman is one who is no longer in love; a false woman is one who is already in love with another person; a fickle woman is she who neither knows whom she loves nor whether she loves or not; and the indifferent woman, one who does not love at all.
One day Mum saved up for this exciting new thing - a frozen chicken. She cooked it on the Sunday and we all sat around waiting for it, but there was a terrible smell from the kitchen. She didn't realise that the giblets were in a plastic bag inside it. We just ate vegetables and she cried and cried.
Do you know where Jason is?” she asked Dmitri when they exited the morgue. Dmitri pressed the car remote to unlock the flame red Ferrari parked in the employees-only lot. “Tired of your Bluebell already?” A tendril of champagne circled around her senses, cut with something far harder. Never had she felt that harsh edge in Dmitri’s scent. She pitied the woman he took to his bed today. “Yeah, that’s it. I’m building a harem.
The question has been asked, 'What is a woman?' A woman is a person who makes choices. A woman is a dreamer. A woman is a planner. A woman is a maker, and a molder. A woman is a person who makes choices. A woman builds bridges. A woman makes children and makes cars. A woman writes poetry and songs. A woman is a person who makes choices.
She'd cried over a broken heart before. She knew what that felt like, and it didn't feel like this. Her heart felt not so much broken as just ... empty. It felt like she was an outline empty in the middle. The outline cried senselessly for the absent middle. The past cried for the present that was nothing.
She [Carolyn Maloney] understands the whole picture. She is comfortable with these issues 'cause she is chair of the committee, and she's dogged and will make sure the average woman and man is represented as well as making sure that our financial system stays afloat. In other words, she gets it and she has represented the financial district, but she also represents the average person and definitely the average woman.
A harem lacks variety compared to a woman with whom you are deeply in love.
By putting the spotlight on the female child and framing her as the ideal of beauty, he condemns the mature woman to invisibility. In fact, the modern Western man enforces Immanuel Kant's nineteenth-century theories: To be beautiful, women have to appear childish and brainless. When a woman looks mature and self-assertive, or allows her hips to expand, she is condemned ugly. Thus, the walls of the European harem separate youthful beauty from ugly maturity.
Isana laughed. "And you, lady? Are you a woman of conscience or of ambition?" The lady smiled. "That's a question rarely asked here at court." "And why is that?" "Because a woman of conscience would tell you that she is a person of conscience. A woman of ambition would tell you that she is a person of conscience—only much more convincingly.
A woman cannot do the thing she ought, which means whatever perfect thing she can, in life, in art, in science, but she fears to let the perfect action take her part and rest there: she must prove what she can do before she does it, -- prate of woman's rights, of woman's mission, woman's function, till the men (who are prating, too, on their side) cry, A woman's function plainly is... to talk. Poor souls, they are very reasonably vexed!
A man is commanding - a woman is demanding. A man is forceful - a woman is pushy. A man is uncompromising - a woman is a ball-breaker. A man is a perfectionist - a woman's a pain in the ass. He's assertive - she's aggressive. He strategizes - she manipulates. He shows leadership - she's controlling. He's committed - she's obsessed. He's persevering - she's relentless. He sticks to his guns - she's stubborn. If a man wants to get it right, he's looked up to and respected. If a woman wants to get it right, she's difficult and impossible.
Though she doesn't remember any trauma, she said that her parents told her she cried on a daily basis and her grandmother resorted to passing out candy so the kids would play with her. Though it was a humorous moment, Mila said, "I know, God bless her. She's an amazing, amazing woman."
This site uses cookies to ensure you get the best experience. More info...
Got it!