A Quote by Gregory Maguire

I'm a comic writer, in some ways, and a comic person when I'm up at a podium, in order to disguise the fact that in my heart I'm disgustingly earnest. — © Gregory Maguire
I'm a comic writer, in some ways, and a comic person when I'm up at a podium, in order to disguise the fact that in my heart I'm disgustingly earnest.
I feel when a writer treats a character as 'precious,' the writer runs the risk of turning them into a comic book character. There's nothing wrong with comic book characters in comic books, but I don't write comic books.
I looked at Tank Girl, which is the coolest comic, ever. The movie didn't make the comic book any less cool. The comic is still the comic.
I drew the same things that most boys drew - airplanes and cars and fire engines. Then later on I discovered comic books, and I began to create my own comic stories. I was a comic writer, even when I was five or six years old. I would just make up stories because I thought it was fun.
I grew up reading comic books. Super hero comic books, Archie comic books, horror comic books, you name it.
I read tons of comic books. My favourite is Grant Morrison, a Scottish comic writer.
Almost any tale of our doings is comic. We are bottomlessly comic to each other. Even the most adored and beloved person is comic to his lover. The novel is a comic form. Language is a comic form, and makes jokes in its sleep. God, if He existed, would laugh at His creation. Yet it is also the case that life is horrible, without metaphysical sense, wrecked by chance, pain and the close prospect of death. Out of this is born irony, our dangerous and necessary tool.
Before I went off to Rutgers, I worked in a comic book shop in my hometown. At night, I would work on some comic stories, and after a while, I developed an idea for a weird little superhero spoof comic called 'Cement Shooz.'
I'm not ashamed of comic books. You have some people that are like, 'We're trying to elevate comic books.' Comic books have always told great dramatic stories.
The British are actually a lot more appreciative of the comic. In Canada, if you're perceived as a comic writer, there's a real snobbery, and you can't be serious. You're not a big hitter.
For the past thirty years or so, much American poetry has been marked by an earnestness that rejects the comic. This has nothing to do with seriousness. The comic can be very serious. The trouble with the earnest is that it seeks to be commended. It seeks to be praised for its intention more than for what it is saying.
I've done some stuff with Thomas Jane and Tim Bradstreet in the comic world and it was interesting to me how close to a screenplay a comic can be. Certainly a four issue comic can be a four act structured screenplay and so I would totally be for that.
We're comic. We're all comics. We live in a comic time. And the worse it gets the more comic we are.
I think of myself as more of a comic person. I don't know about a comic actor.
When you're a stand-up comic, you live and die by what you say on stage. There's no director or writer or producer who can tell you what to say and not to say. Once in a while, a club owner will ask a comic to work clean, or not say something, but that's few and far between.
It's not easy for me as a writer to suspend my disbelief in a fantastical zone. I can do it. But it's more natural for me to write stories that are comic. Or hopefully comic.
The first comic I read was a Spider-Man comic, and my introduction to it was through my family. My cousins are a lot older than me, and they've been huge comic book fans, from the jump.
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