A Quote by Gregory Maguire
I didn't even realize this at first, but there's almost no central character in any of my 24 books who doesn't have a dead mother or a lost parent.
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The mother is really a more immediate parent than the father because one is born from the mother, and the first experience of any infant is the mother.
And now my old dog is dead, and another I had after him, and my parents are dead, and that first world, that old house, is sold and lost, and the books I gathered there lost, or sold- but more books bought, and in another place, board by board and stone by stone, like a house, a true life built, and all because I was steadfast about one or two things: loving foxes, and poems, the blank piece of paper, and my own energy- and mostly the shimmering shoulders of the world that shrug carelessly over the fate of any individual that they may, the better, keep the Niles and Amazons flowing.
Does any new parent, even if you're not a first-time parent, ever really know what to do?
As we continue down the path of automation, virtually every city will have 24-hour convenience stores, 24-hour libraries, 24-hour banks, 24-hour churches, 24-hour schools, 24-hour movie theaters, 24-hour bars and restaurants, and even 24-hour shopping centers.
The truth of the matter is, you lose a parent to murder when you're 10 years old, and in fact at the time of the murder you hate your lost parent, my mother in my case.
Any child who has lost a parent probably knows every single photograph in existence of that parent.
I hadn't even watched '24' before, and the audition was kind of far away. When I got the material, there wasn't a character yet, so it almost seemed like an assistant to Jack Bauer saying, 'Yes, sir. No, sir.'
Child care can almost bankrupt a family, even a two-parent household in which both parents are working. That keeps a parent from being at ease and it really stifles the social and economic growth of a family. Women are hit hard across the board, but particularly in homes where the mother is the head of the household and the only wage-earner. It hurts her, and it hurts her children.
People don't have any mercy. They tear you limb from limb, in the name of love. Then, when you're dead, when they've killed you by what they made you go through, they say you didn't have any character. They weep big, bitter tears - not for you. For themselves, because they've lost their toy.
The idea of 24-hour news, if you really step back, is pretty insane. Just even saying '24-hour news' almost has satire laced in it.
This is probably one of the most difficult challenges any parent could face - learning to love the other parent enough to make the children first.
I thought he was an interesting central figure, central character, one who is definitely not your typical central character figure in a film, who's easy to like. He's not easy to like. It forces you to involve yourself with what's going on.
As Anna Freud remarked, the toddler who wanders off into some other aisle, feels lost, and screams anxiously for his mother neversays "I got lost," but accusingly says "You lost me!" It is a rare mother who agrees that she lost him! she expects her child to stay with her; in her experience it is the child who has lost track of the mother, while in the child's experience it is the mother who has lost track of him. Each view is entirely correct from the perspective of the individual who holds it .
My mother made a choice. And when I was younger, I judged her for making that choice. Then I got older and got to be an adult, and I realized that was the ultimate sacrifice that any parent and any mother could possibly make.
I was almost surprised to realize that I had actually done something right as a parent by insisting on regular family dinners.
It's extreme. The character comes back from the dead, and, at first he doesn't know where he is, how he got there.... How does that tie in with the physicality? I just didn't think he should be too healthy-looking, so I lost some weight for the role.
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