A Quote by Gregory Nunn

All the world's a stage, and all the clergymen critics. — © Gregory Nunn
All the world's a stage, and all the clergymen critics.
It is to be deeply regretted that the clergymen would oppose an effort to teach the people the Bible truths; nevertheless, we find much opposition everywhere, and many clergymen will attempt to prevent the people from reading what is here written.
I wanted to do 'Texas Trilogy' on stage. But it didn't do well in New York. In fact, it did very badly there, thanks to the critics. It was said that Preston Jones, the author, died of ulcer complications, but the truth was that the critics killed him.
People have an idea that the preacher is an actor on a stage and they are the critics, blaming or praising him. What they don't know is that they are the actors on the stage; he (the preacher) is merely the prompter standing in the wings, reminding them of their lost lines.
Critics kind never mind! Critics flatter no matter! Critics blame all the same! Do your best damn the rest!
For to articulate sweet sounds together Is to work harder than all these, and yet Be thought an idler by the noisy set Of bankers, schoolmasters, and clergymen The martyrs call the world.
When critics love your film, you love critics. When they hate your film, you hate critics. It's the same everywhere, but maybe especially in France, where we have pretty good critics, except for three or four newspapers that are really dogmatic.
There are television critics, movie critics, and theater critics too who I like and who I follow and I get genuinely bummed when they don't like something that I've written because I usually agree with them.
When critics ask you if you feel vindicated by other critics - I didn't like critics then, and I don't like them now. There you go. I've always been outside the mainstream, and it stayed that way.
When a new truth enters the world, the first stage of reaction to it is ridicule, the second stage is violent opposition, and in the third stage, that truth comes to be regarded as self-evident.
I don't really give in to the critics because critics are always going to criticize, and what have they done? A person who has never done nothing can't really care nothing about doing something. So as far as the critics, I don't care what they think. I don't have time to give to critics.
The world is my stage. I try to be good at it, whatever part I'm playing - even in my daily life or when the spotlight hits me on the stage to perform - I gotta be alive every second in this world. With or without the applause!
I think Britain needs to get out there on the world stage and make itself heard. And for much of my political career, there has been a sense of retreat from the world stage because of what happened in the Iraq War.
I read reviews of critics I respect and feel I can learn something from. Right now there are a lot of bottom-feeder critics who just have access to a computer and don't necessarily have an academic or cinema background that I can detect, so I tend to ignore that and stay with the same top-tier critics that I've come to respect. I like reading a good review - it doesn't have to be favorable, but a well-thought-out one - because I very much appreciate the relationship of directors and critics.
Immortality is a by-product of good work. Masterpieces are not for artists, they're for critics. Critics can't even make music by rubbing their back legs together. My message to the world is 'Let's swing, sing, shout, make noise! Let's not mimic death before our time comes! Let's be wet and noisy!'
I'm not trying to brainwash my critics. If they're critics, they're critics, and that's their job to be critical, but I certainly enjoy the involvement I have with my fans. I enjoy the time I get to spend with them, and I don't waste time with someone stubborn who is not going to come around.
The world stage is very difficult. It's not easy to be on the world stage.
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