A Quote by Gregory Smith
When I was 16, I was in a film called 'The Patriot.' I spent every second I could on the set watching the director and his team bring America circa 1775 to life. From that moment on, I was hooked.
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I'd say the film to avoid is a director's second film, particularly if his first film was a big success. The second film is where you've really needed to have learned something.
The director is the only person on the set who has seen the film. Your job as a director is to show up every day and know where everything will fit into the film.
While watching him work on the set of the film based on my life - Patch Adams - I saw that whenever there was a stressful moment, Robin would tap into his improvisation style to lighten the mood of cast and crew.
I hooked up with director Jacques Audiard for this film called 'Rust & Bone' with Marion Cotillard. I loved that experience so much I'm truly sad that it's over!
On Darjeeling, I was on set every day and I acted as the second unit director and a producer on that film. I was there throughout the whole process. On Moonrise Kingdom, I showed up for one day.
On 'Darjeeling,' I was on set every day and I acted as the second unit director and a producer on that film. I was there throughout the whole process. On 'Moonrise Kingdom,' I showed up for one day.
When you're on set, and that clock is going, every second you spend doing something is a second you spend not doing something else. That's true of all of life, but it's very vivid on a film set because you're always managing that.
Having anything to do with a hit film is great. Even if you're a third assistant to the director or second to the editor, if the film does well, every technician, every actor benefits from it.
'Control' had to do with my own life a lot, and that's why that seemed to be a film I could be the director of, because I had an emotional attachment to the whole story. And because of that experience, I feel that I can try other films. I didn't set out to become a director.
I've been hooked on films ever since I can remember renting VHS tapes. But who got me hooked? I think life did. There wasn't a person or a mentor that got me hooked. I think it was the films themselves that influenced me. A specific memory that comes to mind is watching 'Goodfellas' when I was 12 and thought Robert De Niro looked so cool sitting at the bar smoking a cigarette and contemplating his next "move". I actually would copy his faces gestures and try and get into his mind frame. I would borrow mad dad's clothes and pretend I was a Mobster. So I guess I have to thank Robert DeNiro.
In my film 'Queen', there was a funny moment with the bra. My director called and said they are blurring the bra. They said it is vulgar. Our director was furious about it. We are artistes... We see props as they are. A woman's bra is not a danger to the society.
Since 1775, when the first Continental Congress called for a national day of prayer, there have been such events called for by almost every President. I saw the figures - 34 out of 44 Presidents have called for a national day of prayer. Some of those who didn't have died in office.
We don't believe in a small America. We believe in a big America - a tolerant America, a just America, an equal America - that values the service of every patriot.
I did a film called 'Nightfall,' based on Isaac Asimov life, which was directed by an American director. However it was a short film.
Your own barometer is all you have to go by, and often what makes a good director is knowing when not to say something. On occasions you can find yourself on a film set where the person who is wearing the director's hat is only trying to justify his position.
And one of the funnest things was watching what they did before the director called action and after the director called cut. And they'd keep their hands in the puppets, they'd stay in character, and then they'd start goofing around with each other and be off of script, and it would get quite blue.
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