A Quote by Gregory Smith
The character I played on 'Everwood' was so serious and melancholic that after doing it for four years, it really started affecting my soul. I was becoming Ephram.
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I started doing martial arts since I was 12, and then I went into wrestling in college. After I met John Hackleman, I started getting really serious about it, and after a few amateur fights, I got an invite to the UFC and have been in love with it ever since.
I started to play at four years old. I went to Corinthians at nine years old. Then, it started to become more serious.
I think that we just take our time with everything. We don't feel that there's a rush to become something that we're not yet. We like to really feel things out and know what we're doing. We hadn't ever really played a lot of shows live after we released our EP, and that's when we started doing it - we started playing out live consistently right after we released our EP and we got a new drummer because Shannyn [Sossamon] had quit.
I personally am happy doing a finite series as I can't play a single character for three years. Hats off to the actors who stay in a character for three four years and enjoy every moment of their character.
I started doing comedy just as myself, because I thought, "This is what's expected, you're meant to tell stories and do observations." And then I started to realize that I wanted to mix it up a bit, so I started to doing songs, and I had a little keyboard onstage and would bring in little props. Then I thought about the idea of talking about a character and becoming the character onstage. So, it sort of morphed into being stand-up that was more character based, and I found that's the stuff I got the better reaction from and was more exciting for me.
I played all four years [at St. Mary's College] with - at a certain point, basketball became the thing I was doing most, but it was really in my periphery.
When you're doing a play that's fully produced, you have the benefit of rehearsing for four or five weeks, so you really get to live in the skin of the character for much longer than when you first start doing a character on TV.
I felt like jumping out a window when I heard Streisand was doing it. I'd played it four and a half years - I thought Dolly was mine. But after the initial shock wore off, I realized no great part is ever exclusively anybody's.
After five years in prison, five years on parole, and a total of 10 years of being in hell, I can look back on it all and say I played in four NFL games. It's incredible.
For myself, the way that I learned comedy was doing it live for four years, and only after doing sketch for four years did I feel confident enough to be like, 'Okay, I feel good about starting to put stuff on the Internet where it lives forever.' As opposed to one time at a college sketch show where it bombs and we never speak of it again.
When I first started doing work on how the Internet is affecting commerce, like a lot of people, I was really excited by this nearly perfect market.
I can understand everybody associates me with Karen, but beyond that, I think after time passes and a few years go by, that sort of becomes a non-issue. That character is far - I mean really, all the characters I've played are pretty far away from what I'm really like.
I have played some wonderful leading roles on stage and had the whole 'China Beach' years where I really played a leading man on that. That was a fun change for a character actor. But I'm perfectly happy going back to building my gallery of memorable character roles.
I just started the way most comics start, doing open mic shows around Sacramento and San Francisco, and eventually, I moved to L.A. After about four or five years in L.A., I got the call to join the 'The Daily Show.'
I started dancing when I was four years old and then was in class until I was about 20 years old or so, and then primarily was dancing just in shows that I was doing, but not really studying and training.
We started filming in 1993 which was only four years after the fall of communism. The difference in Budapest over the last five years has been remarkable.
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