A Quote by Greig Fraser

For me, 'Mary Magdalene' is the most beautiful film I've shot with the performances and the script and the actors and ensemble. But not one saw it. — © Greig Fraser
For me, 'Mary Magdalene' is the most beautiful film I've shot with the performances and the script and the actors and ensemble. But not one saw it.
I never started out to be an action actor. I was an ensemble actor. "Rocky" was an ensemble film. "F.I.S.T." was an ensemble. "Paradise Alley" was an ensemble.
I checked myself out in that funeral parlour scene. I saw myself laughing, because there was a shot of Ed and I together and Mary was right in back of us. My head turned from the camera and I saw myself laughing, because Mary was absolutely brilliant in that thing.
When I was writing the script, I knew didn't want to make a sports movie. I was very clear that I wanted to make a sibling rivalry story. So when I was writing the script, the football was getting in the way of the drama. One day, I saw Michael Haneke's Funny Games, which is probably the most violent film I've ever seen - but the violence is off camera. When I finished watching the film, I said, 'Hey, that's what I have to do.' Haneke gave me this solution.
I once saw my mother playing Mary Magdalene in a parish event. But she had to put the role aside in order to go and front the choir who were singing at the same occasion. She left the stage halfway through the Crucifixion.
I think they probably got it on, Jesus and Mary Magdalene.
I'm not a great director or an auteur; I'm an ensemble director. I do think I can get wonderful performances out of actors.
As a director, I have to feel realism from actors, and they can't be plastic. The words for me are secondary, but the chemistry between the actors is most important. However, you have to go by the script because it's related to production, otherwise you will not finish your project. My background are acting, film production, directing, and I studied them for many years. Keep in mind that you need many other skills when you are starting any film project related to real life.
Frankly speaking, it's only the script that matters to me the most. If I like the script, then I just commit to myself and go ahead with it. But I also look at the commitment and confidence of the director of the film because it's him who will shape the film.
The truth is, a director wins an Oscar for a writer's script and actors' performances.
All actors do that. Should do that and do that. For the most part. I say all actors. I'm exaggerating, but you know who does and who doesn't. Vince is a wonderful young actor who knows his work and did a beautiful job on this film.
When I did 'The Passion,' nobody believed in the movie. Everybody was telling me, 'You shouldn't do this movie... But I wanted to play Mary Magdalene. I thought that I could do something strong and deep with this character.
When the script was written, it was sent to me with asterisks marking where he felt a song would be appropriate. Before the film was shot, the score was written. I made a demo of it, so they lived with the music as they were making the film.
We shot in a place called Asheville, which is like beautiful, beautiful forests. … And then part of it we shot all the reaping stuff, which was just crazy - because the reaping in the book and in the script is such an emotional thing for everyone. It really did feel like that when we were shooting it.
We shot in a place called Asheville, which is like beautiful, beautiful forests. And then part of it we shot all the reaping stuff, which was just crazy - because the reaping in the book and in the script is such an emotional thing for everyone. It really did feel like that when we were shooting it.
No matter how beautiful actors are, it is not easy to look drop-dead gorgeous in every shot in a commercial film. To carry yourself as if you are the diva, it is not an easy job.
As a child, I saw this beautiful film, Dracula's Daughter, and it was with Gloria Holden and was a sequel to the original Dracula. It was all about this beautiful daughter of Dracula who was an artist in London, and she felt drinking blood was a curse. It had beautiful, sensitive scenes in it, and that film mesmerized me. It established to me what vampires were?these elegant, tragic, sensitive people. I was really just going with that feeling when writing Interview With the Vampire. I didn't do a lot of research.
This site uses cookies to ensure you get the best experience. More info...
Got it!