A Quote by Greil Marcus

Van Morrison remains a singer who can be compared to no other in the history of modern popular music. — © Greil Marcus
Van Morrison remains a singer who can be compared to no other in the history of modern popular music.
I don't know much about contemporary music. I do have an iPod but I listen to a lot of old blues. I listen to John Lee Hooker and Elmore James. I have been listening to them for years. I was obsessed with Van Morrison for years. I went to see him recently where he performed Astral Weeks. I just spent the entire night crying, but I was really obsessed with Van Morrison.
Bill Withers, Van Morrison and Marvin Gaye are pioneers in popular music for the last century, and these are people who have influenced me as well, so it's pretty flattering. I've got a long way to go to reach anywhere near what those guys have done. But it's a good encouragement.
The first half of 'Book Reports' deals with the history of popular music and rock criticism. When I hooked all those historical pieces together, building on the minstrelsy piece, it became my history of popular music.
Generally, we tend to believe that royalty is only for mainstream Hindi commercial cinema music and maybe some popular ghazal singer or pop singer but we never think that classical music is played at so many places.
There's no concession to the fact that Dylan might be a more sophisticated singer than Whitney Houston, that he's probably the most sophisticated singer we've had in a generation. Nobody is identifying our popular singers like a Matisse or Picasso. Dylan's a Picasso - that exuberance, range, and assimilation of the whole history of music.
The history of literature is the history of the human mind. It is, as compared with other histories, the intellectual as distinguished from the material, the informing spirit as compared with the outward and visible.
I liked a lot of the things other people liked - Jimi Hendrix, The Beatles, Van Halen, AC/DC - but if I compared it to my dad's music, there just seemed to be elements missing.
I've come to appreciate how special a song is compared to other art forms, because you can carry it around in your head and your heart, and it remains part of you. It just comes as natural as a bird to me, always did. It's the way singer-songwriters make sense of our lives.
The history of modern culture is a history of popular entertainments evolving into art.
I think that compared to other politicians who have been put in jail in the past, compared to the human-rights activists in history who have had to face political prosecution, the activists in Hong Kong nowadays are already quite lucky compared to that.
Van Morrison is probably, at this point in time, my biggest influence as a vocalist. When we were making our last album I had a vinyl copy of 'Veedon Fleece' in the vocal booth in front of me, in the dorky sense. I think there were candles around, which is really tacky, but hey, I needed to channel Van the Man!
Eight Hours For What We Will is a major contribution to modern American working-class history and to the history of a changing American popular and mass culture.
There's never been a Van Morrison album that I haven't immediately listened to, whether with delight or crushing disappointment.
Lonnie Donegan and the folk movement were responsible for a lot of the spread of the blues in England. The group Them with Van Morrison was a big influence on me, too, as were The Stones; The Yardbirds, John Mayall, and the other British blues pioneers.
Just recently I worked with Van Morrison and I came to realize that money can't make a decent human being out of you.
Lately I've been falling asleep listening to 'Common One' by Van Morrison, specifically the song 'Summertime in England.' It's 15 minutes long, so to make it through the entire song is a real task unto itself, but Van has that emotional payoff that makes even his most tiresome songs more powerful than most people's entire catalog.
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