A Quote by Greil Marcus

I never could understand - it was impossible for me to get my head around - what the furor was, what the sense of betrayal and anger and rage was about Bob Dylan's beginning to perform with a band, to play rock-and-roll, to get on the radio.
My parents raised me on Spooky Tooth and The Band, Derek and the Dominoes, the Beatles, Bob Dylan, all that stuff. Rock n' roll was just in my subconscious.
I was born in 1963. So the '70s were my teenage years. As a teenager, I was into rock and roll - Bowie, Rolling Stones, Pink Floyd, even more progressive music like Genesis, and I was into a lot of British rock and roll. But I loved also American rock and roll. CCR, Jimmie Hendrix, The Doors, Patty Smith, and Bob Dylan.
One night around that time, at Hammersmith, Bob Dylan was about to go into [his 1963 classic] 'Don't Think Twice, It's Alright.He said, 'Hey, Bucky! Play mandolin on this.' I am not really a mandolin player; I could only play in certain keys. Halfway through, he stops the band, turns to the audience and points to me. He says: 'He isn't playing, he's miming.' And then: 'Should I fire him?' The whole audience yells.
If they made a movie about Bob Dylan, I would love to play a young Bob Dylan; I mean, I've got the wild hair.
I think we as a band, as individuals, understand that all popular music stems from blues and jazz and even pop, but rock 'n' roll especially comes from blues. What we're trying to do is play rock 'n' roll, but other people call it different things.
The only thing about rock n' roll in my house is a couple of paintings of Jimi Hendrix and Bob Dylan - and they were expensive, too.
I timed my previous wife's pregnancy to the moment to have my son born on Bob Dylan's 50th birthday. There is no bigger Bob Dylan fan than me. You don't just time the day and impregnate your wife to get your kid to be born on Bob Dylan's 50th birthday.
Every actor I know pretty much wants to be a rock n' roll star, and we'd all give it up to be in a rock n' roll band, but we're never going to do that. But being in cartoons - that's as close as you get without being an action figure.
He's a wallflower." And Bob nodded his head. And the whole room nodded their head. And i started to feel nervous in the Bob way, but Patrick didn't let me get too nervous. He sat down next to me. "You see things. You keep quiet about them. And you understand.
There's something undeniably oxymoronic about a 'successful' rock n' roll band. Who wants to hear a bunch of success stories whining about their success? More importantly, what can be the drive behind a band, what can they have to rage against when they are successes? That's a dichotomy every successful band wrestles with.
I know what that tastes like, to be a rock-and-roll star - to have a limousine, to have girls screaming when they see you, girls trying to cut my hair, get a piece of me. But I don't walk around with a concept of myself as a rock-and-roll star, and certainly not as a musician, because I really can't play anything, except primitively.
I graduated high school in 1989, and there was no alternative rock radio, and there wasn't really good college radio you could get on a car stereo. Once you get a car at that age, you're spending all the time you can away from home, sometimes just driving around aimlessly. Listening, or not even listening, but subconsciously soaking up this classic rock barrage.
Bob Dylan is my idol. Everybody has that person growing up that made them see things a little differently than they did before, Dylan is that guy for me. My dad gave me the 'Blonde on Blonde' album on cassette tape when I was seven or eight. It took me a while to get into Dylan's vibe, but once I did, I never looked back.
The great thing about animation is it's like the radio. I used to do lots of radio when I was a kid, and you get to play parts you would never get to play ordinarily.
For a long time I wasn't listening to music, to the rock and roll stuff on the radio, because it would cause me to get sweaty. It would bring back memories I didn't want to know about, or I would get that feeling that I'm not alive 'cause I'm not making it. And if it was good, I hated it 'cause I wasn't doing it. And if it was bad, I was furious 'cause I could've done it better.
Bob Dylan enabled rock & roll to grow up and survive. He injected the power of language and ideas into the music.
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