A Quote by Greil Marcus

As I write, Johnny Rotten's first moments in "Anarchy in the U.K." - a rolling earthquake of a laugh, a buried shout, then hoary words somehow stripped of all claptrap and set down in the city streets - I AM AN ANTICHRIST - Remain as powerful as anything I know. Listening to the record today - listening to the way Johnny Rotten tears at his lines, and then hurls the pieces at the world; recalling the all-consuming smile he produced as he sang - my back stiffens; I pull away even as my scalp begins to sweat.
I never met Johnny Rotten, and I didn't want to meet Johnny Rotten.
I like Johnny Carson because he doesn't hold anything back when he's going for a laugh. Johnny will do anything, say anything, to get his laugh.
No matter what Johnny Rotten and Sid Vicious do, they can't be more disgusting than The Rolling Stones are in an orgy of biting.
I always liked 'Johnny Blaze,' but we announced it on TV, and it was under copyright by Marvel. Then I had 'Johnny Spade,' and that name sucked, then I had 'Johnny Nitro.' Johnny Nitro was one of my favourite names.
Johnny Rivers...returned to L.A. to accept a lucrative offer from Elmer Valentine to open at his lavish new nightclub based upon the popular European discotheque concept. Johnny Rivers at the Whisky A Go-Go turned Hollywood upside down. His first Imperial album, "Johnny Rivers At The Whisky A Go-Go," (produced by Lou Adler) was high in the charts for 45 weeks in 1964.
I don't own any of these names. I don't own Johnny World, Johnny Mundo, John Morrison, Johnny Nitro, Johnny Blaze or Johnny Impact. None of it.
The first Van Halen album makes Johnny Rotten out to be what he really was and still is: a hairdresser.
When I've had to edit my albums, I'll listen to it one time through, and I'll make edits. I want to remember to set up a camera to record myself listening to my set, because I don't even slightly crack a smile, I am just listening for technical details, and I look like somebody that has absolutely no sense of humor. I look insane.
Back in the day in my teens I was listening to Joe Pass and Wes Montgomery a lot; before that I was listening to what I would call now the more 'simple' jazz players (but still very valid), like Barney Kessell or Johnny Smith; I learnt a lot of voicings from Johnny Smith records. Now, I listen to the old blues players; that's what you'd hear in my house if there was music on. It would be Albert Collins or Albert King.
When I started out, everyone seemed to be adopting these names... Johnny Rotten, Sid Vicious. I wasn't really Rotten or Vicious or Nasty, so I wanted something a bit more funny - yet something that seemed real rock 'n' roll... something that acknowledged my ambition.
I had a positive remark from Johnny Rotten, would you believe? He said I was a fantastic singer. Not a lot of people know stuff like that.
Punk and all that was just an image that ripped people off. Johnny Rotten's a wanker, and that's all there is to it.
Johnny Ramone's autobiography is a no holds barred, straight-forward book written in a no-nonsense style that is Johnny personified. His story is written in his own actual words, so the reader gets an insight into what made him the unique, charismatic and exciting individual that he was. It also gives a great view of The Ramones from Johnny's perspective.
Johnny can get down and Johnny can throw up, but Johnny can't read.
I wanted to wear the most impenetrable suit of armour ever known to mankind. 'Hello, Mr. Rotten...' You can't say anything about me. You can't put me down in any way shape or form - I'm rotten to the core... you know, what's left for you? Pleasantries? I suppose the worst insult you could sling my way is 'Oh, he's really nice, him.'
I've been offered all the reality TV shows but have turned them down. If I did it as 'Johnny,' there'd be no jungle left! It was really hard regaining control of myself, so I am reluctant to let 'Johnny' back out of the box.
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